Page 106 - BBC Wildlife Volume 36 #04
P. 106

INSIDE THE IMAGE





          COMMON WILDEBEEST, ZIMANGA GAME RESERVE, SOUTH AFRICA


                     It’s a rare privilege to peek
                     through a window into the
                     nocturnal world of Africa’s
           big game – most safari photography
           is vehicle based and finishes after
           dusk.The Umgodi overnight hidein
           Zimanga is exceptional in more ways                                                                 3
           than one: it offers superb views of a
           small waterhole, andhas been designed
           byphotographer Bence Máté, so every
           detailhas been considered to ensure        2
           perfect wide-angle, low-level images.

           FIRING INTO ACTION
           The dry season often delivers exciting
           photo opportunities, but you still need
           camera skills. The hide is equipped
           with floodlights, which are easier to
           work with than flash, but gettingyour
           exposure spot-on takes care and trial
           and error. You also need patience: a
           16-hour session might involve three
           or four photo opportunities, but with
           long, quiet spells between. When the
           action happens, the hardest part is
           controlling the adrenaline rush and
           keeping steady hands. Easier said
           than done when you’re staring up at
           ahuge bull elephant so close that it
           barely fits your wide-angle frame.
             It’s not always the biggest game that
           produces the most exciting shots. This
           image of wildebeest is one of our
           favourites, partly because of the
           symmetry, and partly because the blur
           of the secondary subjects, which
           suggests something of the comings and
           goings of a popular waterhole.



           DATA FILE

           CAMERA Canon
           EOS 1D X
           LENS Canon
           EF24-105mm f/4L IS
           USM
           FOCAL LENGTH 35mm
           EXPOSURE 1/15 sec,
           f/5.6, ISO 1600
           NOTES Thecorrect
           exposure was around
           two stops less than
           evaluative metering
           suggested.


          106 BBC Wildlife                                                                                  April 2018
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