Page 40 - Classic Rock (January 2020)
P. 40

BLACK STAR RIDERS
                                                                                                            The Who
                                                                                                                          3  Another State Of Grace
                                                                                                                          NUCLEAR BLAST
                                                                                                                                           “We wanted to make
                                                                                                                                           a big, anthemic-
                                                                                                                                           sounding record,”
                                                                                                                                           said frontman Ricky
                                                                                                                                           Warwick. “High-energy
                                                                                                                                           ’n’roll.” Another
                                                                                                                                           rock
                                                                                                                          State Of Grace has all of that and more.
                                                                                                                            For their fourth album, Black Star
                                                                                                                          Riders had two new members making
                                                                                                                          their debut with the band, guitarist
                                                                                                                          Christian Martucci and drummer
                                                                                                                          Chad Szeliga, and a new producer, Jay
                                                                                                                          Ruston, who had mixed two previous
                                                                                                                          BSR albums. While some songs, notably
                                                                                                                          Tonight The Moonlight Let Me Down, have
                                                                                                                          echoes of Thin Lizzy – the band from
                                                                                                                          which Black Star Riders were born,
                                                                                                                          and in which guitarist Scott Gorham
                                                                                                                          starred in their glory days – there are new
                                                                                                                          sounds and ideas on this album: a flavour
                                                                                                                          of Americana in What Will It Take?,
                                                                                                                          a powerful protest song in Why Do You
                                                                                                                          Love Your Guns?. As Warwick put it: “The
                                                                                                                          Lizzy connection will always be there,
                                                                                                                          but this band stands on its own.” PE
                                                                                                                          Killer track: Why Do You Love Your Guns?

                                                                                                                              THE DARKNESS
                                                                                                                          2  aster Is Cancelled
                                                                                                                              E
                                                                                                                          COOKING VINYL
                                                                                                                                           The Darkness don’t
                                                                                                                                           make bad albums,
                                                                                                                                           but for most of the
                                                                                                                                           noughties their releases
                                                                                                                                           haven’t quite equalled
                                                                                                                                           the s
                                                                                                                                           um of their
                THE WHO                                     RIVAL SONS                                                    spandex-clad parts. Easter Is Cancelled is
                                                            F
            5  Who                                      4  eral Roots                                                     different. It’s an album that starts off good
            POLYDOR          The Who’s first album      ATLANTIC         Moving quickly past                              and gets better, an album of such
                                                                         the teeth-grindingly                             whole thing live on tour. Such an approach
                                                                                                                          consistency that the band are playing the
                             in 13 years gives every
                             indication that it marks
                                                                         disturbing (if
                                                                                                                          is normally a recipe for disgruntlement,
                                                                         captivating) artwork
                             the last time Pete
                                                                                                                          but this record is different. Nine months
                                                                                                                          in the making, it’s a many-headed beast
                                                                         – the little creatures
                             Townshend will address
                             the band’s constituency.
                                                                         of th
                                                                         e forest, weaned
                                                                                                                           of rock’n’roll’s glorious past – Queen,
            Despite the personal nature of his lyrics,   on the lactations of an apparently rabid                         of a collection, consuming a vast swathe
            Townshend soundtracks lives, and Who        dog – Rival Sons’ sixth full-length album                          AC/DC, Boston, the rest – and spitting it
            finds My Generation’s central protagonist   ups the ante on previous                                           out in a denim ’n’ leather, glitter-dusted
            a half-century older, yet still raging.     accomplishments with a widescreen                                  smorgasbord of thumping riffs and
            Opening statement All This Music Will Fade   range of bluesy balladry and swinging                              whip-smart songwriting nous. From the
            tempers righteous fury with reluctant       riffs. Titled after the band’s literal                               effervescent glee of Heart Explodes to the
            resignation. Roger Daltrey remains          roots-ward move (straight out of the                                  peculiar vaudeville of Deck Chair and
            Townshend’s perfect mouthpiece, still       Led Zep III Bron-Yr-Aur playbook) to                                   the jubilant Live ’Til I Die, it’s funny,
            bringing bullish pugnaciousness to          pastoral Tennessee, this ruralism informs                              it’s exuberant and it’s brilliantly
            existential angst. You approach Rockin’ In   much of the album, not least the                                     performed. Those who struggle
            Rage expecting swagger, but find            astonishing run of five tracks at its core.                              with Justin Hawkins’s voice aren’t
            Townshend feeling ‘like a leper… too old to   From Look Away through to Imperial Joy,                                 going to be swayed by Easter Is
            fight’. Who works as a two-way mirror,      rarely has such a rich quintet nestled so                                    Cancelled, but for those who
            reflecting Townshend’s specific situation   comfortably together: the open-tuned                                           truly love the band it’s
            (a spokesman for his generation facing      acoustic start of the former                                                    a reminder of how buoyant
            feelings of irrelevance and abandonment)    culminating in the euphoric gospel                                               rock’n’roll can be in The
            and that of the ageing ‘kids’ (for whom he’s   of the latter. And while it’s                                                  Darkness’s hands. And
            always spoken), no longer simply ‘alright’,   tempting to view the whole as                                                    it’s not far off being the
            but ‘grey’ and ‘afraid’. Offering way more   a marker to the new kids in                                                         best thing they’ve
            than Who-by-numbers, Who is relevant,       town (you know who),                                                                      ever done. FL
            honest and essential. IF                    resist, and savour. TB                        Justin Hawkins,                              Killer track:
            Killer track: All This Music Will Fade      Killer track: Feral Roots                      The Darkness                                 Live ’Til I Die



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