Page 95 - Classic Rock (January 2020)
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Originally an English quartet,   Gun                        ‘em, after all – which range from   friendly rockers (Love Leads To   declining northern industrial
            The Babys’ trump card was the   R3loaded SILVER LINING       the sensible (Rock The Casbah)   Madness) alongside           giant Sheffield had a roster of
            voice of future solo star John   Glasgow arena rockers revisit   to the weird (Fight For Your Right   experimental material (Games).   bands near the equal of
            Waite, backed by guitarist     their glory days. And some    To Party) to the really, really   The experimentation         Manchester, Edinburgh, Detroit.
            Wally Stocker, drummer Tony    other people’s glory days too.   weird (Rihanna’s Diamonds) but   undermines Sound Elixir (1983,   Led by press stars Cabaret
            Brock and multi-instrumentalist             If this was 1989,   it’s all done with plenty of   6/10), Rags’ To Riches’ knockout   Voltaire, Martin Fry’s shiny new
            Mike Corby. The band signed to              you’d probably   energy, and they put their own   punch and rootsy ballad Where   ABC and the unstoppable
            Chrysalis and enjoyed most of               be fully aware   signature spin on each track. All   Are You Now saving the day.   Human League, the musical
            the label’s support and success             of Scottish hard   in all, a fun ride.            Cinema (1986, 8/10) retooled   wake was fertile and febrile,
            in the USA (inspiring Phil Mogg             rockers Gun,     QQQQQQQQQQ                     their sound with a slick ZZ Top-  from the dance electronic visions
            of labelmates UFO to write Ain’t   whose debut album Taking On   Sleazegrinder              style 80s makeover, Manny      of B.E.F., early Pulp and smart-
            No Baby in sulky protest). They   The World spawned the Top 40                              Charlton’s guitars and Dan     funny They Must Be Russians, to
            began like a more soulful version   hit Better Days and landed them   Nazareth              McCafferty’s sandpaper rasp    the early gothic esoterica of the
            of Bad Company, then got better   a support slot on the Rolling   Reissues BMG              still resounding on One From   Danse Society and In The
            as their songs became less     Stones’ 1990 tour. But it’s not,   An underappreciated era   The Heart and Just Another     Nursery, to the post-Beefheart
            derivative. This roughly       so hopefully this best-of will jog   revisited.              Heartache. Billy Rankin returned   churnings of Kilgore Trout and
            coincided with the departure of   a few happy memories.                    By the time      to replace Charlton as Nazareth   A.C. Temple and beyond.
            founder Corby (who followed his   Enigmatic and difficult to pin           Classic Rock     lustily re-embraced their roots   Flangers at the ready!
            business partner, also the band’s   down, Gun’s sound was part             launched in the   on No Jive (1991, 7/10) with   Look, there! One Thousand
            manager, out the door in 1978)   Cars and part Guns N’ Roses,              late 90s, the    bruisers like Do You Wanna Play   Violins’ drum machine-led flexi-
            ahead of third album Head First.   a smart man’s arena-rock band,          term ‘classic    House, this line-up hitting an   disc piss-take of Ike & Tina, and
            Produced, like its predecessor,   and one that liked taking   rock’ denoted a genre. In the   especially fiery good-time   The Smiths You Ungrateful
            by Ron Nevison it was their    chances. R3loaded is a two-disc   80s, it was a different story;   groove throughout Move Me   Bastard. Some early Thompson
            biggest seller.                collection that includes all their   bands like Nazareth, now   (1994, 7/10).               Twins! Post-industrialist jazz-
             Union Jacks (their fourth, 1980)   hits (and near misses), from the   revered as epitomising the   Rich Davenport         heads The Box, and Clock DVA’s
            was arguably stronger, featuring   aforementioned Better Days to   style, were unfairly dismissed                          sublime, brooding 4 Hours. I’m
            American recruits Jonathan Cain   their funkier, poppier mid-90s   as dinosaurs in certain countries,   Various            So Hollow, Artery, The Prams,
            on keybords and bassist Ricky   AOR chart chasers like Steal   with some of the albums in this   Dreams To Fill The        U.V. Pop, Stunt Kites and
            Phillips (both later with Waite in   Your Fire and Favourite Pleasures.   third batch of coloured-vinyl   Vacuum: The Sound Of   a dizzying miasma of jagged,
            Bad English). With Cain aboard,   If you missed them the first   remasters not released in the UK   Sheffield 1978-1988 CHERRY RED  scuttling bands who didn’t even
            The Babys became more radio-   time, this is a fantastic place to   or US. As the decade began,   There is so much here!   make it to a Peel Session.
            friendly, and in hindsight it’s easy   catch up.             they could still crack the US            Once called “the      A bewildering array of DIY
            to see why Journey did the same   The second disc is a whole   Billboard chart, first with ‘Snaz       ugliest city in the   delights – four CDs, 20,000
            after recruiting him in time to   different kettle of fish and should   (1981, 8/10), a ferocious, hit-  Old World” by     words and 84 tracks. Dreams to
            co-write all of Escape.        amuse, enthrall and enrage in   heavy double live set, and              George Orwell, by   fill the vacuum indeed.
            QQQQQQQQQQ                     equal measure. It’s an album full   again with 2XS (1982, 7/10),        the time post-punk   QQQQQQQQQQ
            Neil Jeffries                  of covers – they are known for   featuring beguiling radio-  rolled along in the late 70s,   Everett True




                                    Girl


                                    Sheer Greed/Live In Osaka ’82 HNE/CHERRY RED

                                    First and last by a band that lived fast, died
                                    young and left a half-decent looking corpse.





                       irl’s 1980 debut Sheer Greed had          as Phil Collen told me, matter-of-
                       everything: great songs, Phil Collen on   factly, in 2015: “That band was
               Gguitar and, on vocals, the cocksure,             interesting – we had so many girls
               shouty-pouty Phil Lewis. The record rocked        around us. When the success
               hard, but took in punk (Lovely Lorraine), pop     started to happen with Def
               (Strawberries), sneering new wave (My Number),    Leppard, I expected things to go
               a Kiss cover (Do You Love Me), reggae (Passing    crazy in that department. But the
               Clouds)… It even got away with the lyric ‘Hey I’m   calibre of women we saw in Girl
               sarcastic, I’ll treat you like a spastic/Ignore every word   was way higher! There was
               that you said’ (Hollywood Tease). Well, almost.   something about guys in make-
                  But for every one of us who loved Girl there   up, apparently, that attracted
               was a coachload who hated them (they met          women more than multi-
               a hail of beer cans at the 1980 Reading Festival):   platinum success, haha.”
               because Lewis was dating actress Britt Ekland,      As Sheer Greed (8/10) was
               Rod Stewart’s ex; because the whole band wore     re-mastered three years ago by
               eyeliner; or both. The middle of the NWOBHM       Rock Candy, this new ‘expanded’
               was no time to look like Girl did… and then       edition’s selling point is the 70-minute set      six from Sheer Greed, six from its star-crossed
               declare a love of Japan, The Cars and Tom Petty   (originally released in 2001 as Live At The       follow-up, that year’s Wasted Youth, Tush and
               & The Heartbreakers.                              Exposition Hall, Osaka, Japan) (6/10) recorded in   four then-new songs. Sadly the mixing-desk
                  Right band, wrong time, then. Shame. They      May 1982, marking the very opposite end of        tapes lack ambient input, so we’ll never know
               could have become London’s glamtastic answer      their short career. By then, Collen was gone and   if Girl generated a Cheap Trick-at-Budokan
               to the New York Dolls. Instead (supporting        Girl had only weeks to live. But even so, with the   atmosphere. But if you ask Lewis, he’ll tell you
               UFO, Pat Travers and ZZ Top aside) they were      indefatigable Lewis droppin’ aitches and playin’   it was better.
               doomed. Although there were compensations,        the star, this is no death rattle. Girl crash through   Neil Jeffries



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