Page 66 - All About History - Issue 33-15
P. 66

ThefallofCharlieChaplin



































                                                                                     Paulette Goddard and
                                                                                         Charlie Chaplin

        speechbeinggivenbythecharacterofTheBarber,  ThecamerapushesinonHynkelashelooks  film received a cooler reception and, as Chaplin’s
        performed by Chaplin, in which he includes the  spellboundattheglobe,whichwethenseeis  career became evermore successful and well
        followingstatement:“Greedhaspoisonedmen’s  justabigballoonthatheplayswithlikeadancer.  regarded, forces came into play that sought to
        souls,hasbarricadedtheworldwithhate,has  Atthispoint,asenseofrealismgiveswayto  neutralise his cultural and political resonance.
        goose-steppedusintomiseryandbloodshed.We  something more fanciful, allowing Chaplin to use  Like Modern Times, The Great Dictator reminds
        have developed speed, but we have shut ourselves                               us that often comedy is the best route to saying
        in.Machinerythatgivesabundancehasleftusin  “Anti-communists in                 something ‘meaningful’ about a subject. The
        want.” In this moment of the film, Chaplin’s movie                             film made Chaplin lots of friends and plenty of
        is no longer a fiction but instead functions more  the US pointed to what      enemies, crating new tensions for Chaplin and
        as an overt piece of propaganda, stating clearly the                           renewing and reigniting others. In Germany, it
        need for a culture that’s empathetic to difference  they considered hard       was an unpopular film release, a fact that may
        ratherthanfearfulofitorviolenttowardsit.  evidence of Chaplin’s                not surprise. That said, in the 1920s, a number
          Oneofthemostresonantscenesinthefilm                                          of German intellectuals had found much to
        runsaboutsevenminutesindurationandcentres   left-wing politics”                appreciate in Chaplin’s movies.
        aroundHynkelinitiallytalkingabouthisideasfor                                     In concert with Chaplin’s professional angst
        a perfect race, before then becoming entranced                                 around the reception of his film and the attacks
        byaglobeshowingamapoftheworldwrapped   a playful metaphor to express his repulsion at how  on his political sympathies, he also had to contend
        aroundit.Hynkel’sgesturesandhisperformance  therealworldcanbetoyedwithbythosewho  with a volley of personal dilemmas; notably a
        arecampandsilly–notthegestureswemight  abuse power.                            paternity suit. As part of their written assault
        expectofamanhell-bentonworlddomination.  While The Great Dictator was hugely popular in  to diminish Chaplin, a cultural icon in his own
        How can we take such a figure seriously?  Britain,intheUSA(whereithadbeenmade),the  lifetime, the FBI exploited the paternity suit
        Charlie on the big screen






















             The Kid 1921         The Gold Rush 1925       The Circus 1928         City Lights 1931      Modern Times 1936
               The Tramp             Lone Prospector          The Tramp               The Tramp             A Factory Worker

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