Page 11 - Star Wars Insider (Special Edition 2020)
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JOHN WILLIAMS





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                                    “Princess Leia’s theme, like        sees as the major themes of any         observes, “The final crescendo

                                 Leia herself, really stands out        Star Wars film—from [both] a             and solo violin finale perfectly


                                 from everything else in the            musical perspective and a story         express Leia’s inner strength and
                                 movie, stylistically and               perspective—by which ones he            yearning for the innocence of
             01    Leia places   melodically,” he says. “Leia           gives the concert treatment to.”        a time long past.”
                her hologram     represents the broader universe.          In the concert arrangement,             Collins hears connections to
                in R2-D2—

                unkowingly       She represents what we know            a flute introduction leads to the        the wider story. “Another piece

                setting in       about the Republic, the Senate,        main melody, which is first              that famously starts with a solo
                motion the       and even the Rebellion for most        presented by a solo French horn         French horn is Obi-Wan Kenobi’s
                events of the
                entire original   of the movie. So her theme            (see sidebar, page 38). After a         theme, [aka] the Force theme,”
                trilogy (left).  represents the beauty in the           wind interlude, a flute returns          he says. As heard when Luke

                                 universe and everything that’s         to present the primary theme.           looks out toward Tatooine’s
             02     Leia’s



                hologram         worth fighting for.”                    Following another bridge, violins       binary sunset, the theme, like
                sets Luke and       While Leia’s melody appears         play the melody, accompanied            Leia’s, starts with a horn, and
                Obi-Wan on       some nine times over the course        by horn and flute in pronounced          then the strings take over.

                course to their
                destinies, and   of A New Hope, the version that’s      supporting roles. Finally, the             “The French horn has
                “Princess Leia’s   most widely known is Williams’       full orchestra—with strings             a softness to it,” says Collins.
                Theme” swells.
                                 concert arrangement, titled            still leading the way—builds            “It has a sweet timbre and a

             03     Of course,   “Princess Leia’s Theme.” This has      the melody to its climax, after         lower register. Of the whole brass

                things take      been included in every album           which a violin provides the             section, French horns have the
                a more sinister
                turn in both     release of the soundtrack to date,     denouement. In his liner notes to       ability to play delicate melodies
                the music and    but isn’t heard in the film itself.     the A New Hope Special Edition          and really give you something

                action when         “You can always tell,” says         soundtrack release, film music           lyrical. If you’re going to make a

                Darth Vader
                arrives.         Collins, “what John Williams           historian Michael Matessino             piece that’s going to build, it’s a



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