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such poetry. In poetry, imagery creates snapshots in a reader's mind. Poets use imagery to draw readers into a sensory experience, and images often provide them with
mental snapshots that appeal to their senses of sight, sound, taste, touch, and smell. Imagery can either expose them to new experiences or reveal their own experiences
in a new light. As most poems are brief, a poet has the challenge of creating an entire world for the reader in a new short line, and images or even the story that arises from
a series of images is the most efficient route to this communication. Imagery is the name given to the elements in a poem that spark off the senses. Despite image being a
synonym for pictures, images need not be only visual; any of the five senses can respond to what a poet writes. Examples of non- visual imagery can be found in Ken Research Paper on Pictorial Poetry
Smith's 'In praise of Vodka' where he describes the drink as having 'taste of the air, of wind of fields, and James Berry's 'Seashell', which puts the 'ocean sighed' right in a
listener's ear. One of the great pleasures of poetry is discovering a particularly powerful image; the imagists of the early twentieth century felt it was the most important Dr. Brajesh Kumar Gupta Mewadev
aspect, so were devoted to finding strong images and presenting them in the clearest language possible. Of course, not every poem is an Imagist poem, but making
images is something that nearly every poem in the Archive does.
A NEW FORM OF POETRY IN THE LITERARY WORLD”
After a long gap of time, this form of poetry was forgotten. Leonard Barkan infused a new life in this old controversy once again by writing his book 'silent poems, speaking
ABSTRACT
picture' in 2007. Although there is quite good numbers of poets are there who are not satisfied with the belief and establishments of this book. Yet it has invoked a sort of
Literary pictorialism can be defined as a phenomenon that occurs when the fictional reality, psychological or physical, in a text is represented as an image. The Swiss-born
new zeal and enthusiasm in few poets who are very vehemently expressed their support to the contents expressed in the book, and they are convinced with the beliefs
painter Paul Klee wrote, 'I know that fundamentally I am a poet; this knowledge should not be a hindrance in art'. His paintings are poems, small pages of a book,
and establishments expressed in the book. Mr. KC Sethi and wife Mrs. Suneeta Sethi have contributed a great deal in this field by writing a book on this theme and have
illuminated manuscripts in which he reads correspondences between shapes and hues as rhymes and rhythms. However, the sound is sometimes represented in
achieved acclaims from all corners of the world of poetry. Sethi is a poet by heart, a photographer by his hobby, and a traveller by nature. So, he has ample time and
pictorial texts, and when that occurs it is often spatialized and concretized, represented as an object in space, and given properties associated with objects, such as
opportunities to encounter different people, landscapes, subjects, objects, etc, and to click his camera to capture various facets of life and nature. He has so nice, poetic
colour, shape, and form. Nature avoids a vacuum; Pictorial poetry imitates and/or refers to media products that are static in the material modalities, such as paintings,
and empathetic heart that he can converse with the subjects, objects, etc, of his pictures as if they are living-beings. They leave emotions, feelings, and impressions on his
sculptures, and photographs/pictures/sketches Circumcontentive Poetry does not focus on form at all; rather it defines form as a function of the content. The alphabet is
heart and he is able to listen to their whispers regarding their joys, pains and other moods of life, etc. Sometimes, these pictures speak much more than words and poems.
essentially a system of signs that represent the phonemes. Letters of the alphabet represent, in other words, the sounds that we use when we speak. What I would like to
Credit to him as for combining the dichotomy of word and picture in 'pictorial poetry' and successfully he has published a book of pictorial poetry. He has introduced a new
do here is to explore one respect in which philosophy, especially the philosophy of language, has much to learn about the nature and possibilities of meaning from poets
concept of pictorial poetry where his photographer and poet work together. Pictorial poetry is consisting of or displaying the characteristics of pictographs and it suggests
and critics.
or conveys visual images. Sethi regards him as a poet of a common or ordinary man. His poetry is very simple, lucid and clear. It does need any special knowledge to
understand and enjoy his poetry. That is why this fashion of writing poetry is nowadays spreading rapidly in the world of poetry and social media. He says, " It came to my Keywords: 1. Introduction, 2. Pictorial Poetry, 3. Hope of Future, 4. Conclusion.
thought in 2011 when I wrote four lines on the photograph of my mother to mark a great remembrance. It touched to my heart and I started working on this innovative INTRODUCTION
thought." At present, picture and poem are operating body and soul of a composition. He writes poems on the body language of subject and object involved in a picture
Language in poetic contexts has the tendency to be doubly productive of meaning, and this distinguishes it in an important way from ordinary ('standard') uses of
which makes it more heart-touching and enchanting. language, is valid for all mental images and memories and, thereby, not limited to inner representations of framed visual artifacts such as paintings. Pictorial poetry is a
The concept of the pictorial poetry of KC Sethi is more profound than that of Emily Romano as the pictorial, created by Emily Romano is a type of shape poem, where the kind of poetry in which the lexicon (words) play an important role in depicting the images and the reader recreates the poetry by juxtaposition and word combination. One
entire poem must be printed in slanting lines indicative of the thought in those lines. There should be a rhyme somewhere in the poem, either end rhyme or internal rhyme. way to learn more about the nature of mental imagery is by means of eye movement tracking. It is here that we find the vision, in a quite literal sense, of a work, and without
A poem is a work of an artist using words and a picture is a work of art using things of nature or natural things. Sethi has given a new idea or concept regarding pictorial a consideration of this, we'll find ourselves shamefully mum when called upon to say what a work might mean. One feature that seems to emerge repeatedly through time
poetry to literature and this movement of a new form of poetry is being led by him, and getting publicity and fame in print media and social media. is the notion of imagination and the term 'poetic imagination' to depict the emotional, imaginative, intellectual and the expressive language used to reflect the writer's
Ashokkumar Verma, IPS, 29 Jun 2018 consciousness. This new understanding of ourselves and our environment has an influence on what we contribute to the world. In addition to better understanding
ourselves, an exposure to the poetry of other cultures leads to a better understanding of those cultures. The interconnection of imagination to the notion of the soul forms
one of the distinguishing characteristics of imagination in poetry and literature. Like all artistic products, pictorial poetry offers entertainment and relaxation from work and
other sources of tension. When it is very good, it offers information about other worlds - inner and outer - that we were not aware of. At its best, pictorial poetry can inspire

90 K.C. Sethi, Sunita Sethi Bliss 91