Page 17 - Expanding horizons (pictorial poetry) 27-8-18

Ancient History Of Picture Poetry
Codifying chronicles.
The advent of writing enabled scribes and bards from China, Mesopotamia, Persia, India, and Ancient Egypt to write down odes,
Vedas, legends, and myths that had existed in their cultures for thousands of years. Poetry itself probably dates back to cavemen
and the earliest shamans, who chronicled events in picture-stories, symbols, songs, and tales to chronicle hunts and features of the
land on which these people survived. Poetry also took nomads into altered or supernatural realms.As language developed, oral
storytellers traveled from place to place in order to recite new legends and tales. Most likely, stanzaic verse began as a series of
conscious pauses by oral storytellers during their recitations. Why the pauses? The narrator had to catch his breath and summon the
next part of the tale!

Fertile ground for poetic leaps.
Since then, people have depicted their inner and outer worlds – and the worlds of their peers, legends and civilizations – through
hundreds or thousands of poetic forms. Like other types of art and music, the evolution of poetry escalated during fertile creative
times and in particularly open societies. So, for example, the poetic lyric leapt forward on the wings of two women – Enheduanna and
Sappho - during the height of two great cultures, Sumeria and Ancient Greece, and dramatic verse began with the Ancient Greek
playwrights, along with Homer’s epics and Aesop’s fables. Similarly, Marco Polo’s acquisition of scrolls of Chinese poetry and the
influence of Provence’s formes fixes style of courtly poetics informed Dante Alighieri, Giovanni Bocacchio, and other late medieval
writers, who ignited Italy’s greatest poetry boom and planted the seeds for the Renaissance. While the sonnet emerged during the
Renaissance, free verse roared out of the early 19th century Victorian era. During that time, intellectuals and students felt more
liberated, poetry salons sprung up in Paris and London, and poets yearned to break out of the box of rhymed, measured lines and
stanzas.

Literary pictures of civilizations.
Poets may have created, modified, or used poetic forms, but centuries later these same forms provide a snapshot of the civilizations
from which they emerged. The gorgeous lyrical love poems of Ancient Greece and Rome reflected cultures open to physical and
emotional expression. More than three dozen known forms took root in the Greek culture, including the ode, fable, lyric, and
Anacreontic verse. So esteemed was poetry that three of the classic nine Muses inspire specific forms of poetry: Calliope (epic
poetry), Erato (love poetry), and Polyrhythmia (sacred poetry). In a culture that routinely mixed poetry, music, and the stage, two
others are close cousins: Euterpe (music) and Melpomene (tragedy). When Rome switched from a Republic to an Empire, its poetic
forms became more constrained and its subjects bloodier and bawdier. Altar poetry (the ancestor of concrete and visual poetry)
emerged from the abbeys of medieval Germany, while the terza rima was Dante’s way of giving us layered morsels of the hell he
visited in The Inferno. The canso stanza form, along with rondeau and triolet, emerged from Provence so that medieval troubadours
could give information to townspeople without tipping off Crusaders of the Holy Roman Empire. The Germans romped through the
Renaissance period with Meistergesang, poem-songs that played directly into the citizenry’s penchant for revelry and national unity.
Shakespeare’s sonnets and plays reflected an Elizabethan era when creativity, expression, and experimentation ignited
England intellectually.

4 K.C. Sethi, Sunita Sethi Bliss 5