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an Ambassador of Peace Mission. "AMBASSADOR IN THE WORLD OF THE WORLD UNION OF POETS (CO-GENERAL DIRECTOR OF THE WORLD UNION OF
POETS). Dr. Kairat Duissenov Parman had a "Silver Medal for the culture of the World Parliament of Literature (W.U.P.)". AWARD OF 'WORLD ICON OF PEACE' and
AMBASSADOR OF W.I.P. FROM THE PRESIDENT OF THE WORLD W.I.P. INSTITUTE (Nigeria), Go, Kurative Africa - GOKA of the for the high award of the continent
of Africa 'HERO OF HUMANITY'. He was awarded of the KIBATEK 42 Poetry Festival in Cappadocia, Turkey (2017), He also awarded Certificate of Justice and Peace
Ambassador of The British Empire Country of Britannia Micronation.
He was also awarded 'BOGDANI' a prize by International Writers Association IWA on 27 November 2017. Some of his poems have been translated into English, Italian,
Spanish, Arabic, Vietnamese, Chinese, Bengal and Azeri languages.
Kairat was born on 7th January, in 1964, at a village called Kokibel, Kazygurt District, in South region Kazakhstan. His Poems have been published in many world
anthologies. Author of four books: “Tugan jer ystyq b?r³nen” (Native Land warmer all), “Serpin – Impulse”, "Qalam, qalam" and "O! Pen" (English language).
He worked as chairman of the International Union of Writers Association "Beyb³tsh³l³k alemi - Planet of the Peace”, from 2010-2014. He was made Director of a publishing
house named "Halyqaralyq zhazushylar odagy", in 2011. He has been also a chief editor of the site www.temirqazyq.com, since 2011. On September 18, 2014, he was
appointed the President of the World Nation Writers Union and the Chief Editor of World Nations Writers' Unions Websites www.akgo.org and www.wnwu.org .
They Are Our Souls !
Since our new concept of photographic/pictorial poetry came into existence, I have been
capturing in my camera , the adventurous events, sports, beautiful landscapes, rare faces,
sparkling and blushing smiles, other subjects and objects from different angles so that they
may be used with my poetry to form pictorial poetry. I always try to fetch speaking pictures in
their different moods and poses. For me, my pictures are not the materials of thought. Rather
my pictures and poems are living souls since the belong to our souls. Sometimes I feel them
swinging in my thoughts. They behave like my own family members , friends and relatives
and wish if they could be framed with my poems to be living composition like a body with a
soul.They ever talk to us but in the language of silence which only can be understood by me
and my wife being the parents of our new concept of our pictorial poetry.
...(Authors)
38 K.C. Sethi, Sunita Sethi
Research Paper on Pictorial Poetry
Dr. Deen Dayal
ABSTRACT
For the all-round development of students, study or reading the material before them should be presented as such can instill in them all values: social, emotional, spiritual,
moral, ethical and cultural etc. as young generation is the future of the country. Poetry is the best instrument that can make their soul and mind activate with the unending
power of words of the text of Poetry as the compact structure of Poetry involves the use of selected words. But it becomes difficult for common level readers or students to
grasp the text of poetry due to the hidden deeper meaning. To serve this purpose, the text of Poetry demands images to make the text easily understand and to retain the
effect of text for a long time with the readers. It is an image or picture in the text that gives the text power to understand it well and instruct all kind of readers the
characteristics or messages the text contains to communicate. It is Pictorial Poetry that instills in readers, comprehensive power, critical thinking, the power of analyzing,
questing and creativity too. In the changing world, everything needs an update and so if Poetry has been departed from concrete from to Pictorial one to give the students
all values and social messages.
Key Words: Pictorial, instil, text, concrete, critical
Good Poetry is never an immediate reaction to the provoking cause; that our sensation must be allowed time to sink back into the common fond of our experience; there to
find their level and due proportion. The level is found for them in the union of contemplating mind and in the receiving sensibility raises the unique mood of expression
which we call poetry. — Herbert Read
Poets are not only authors of language and music, but they are the institutors of law and founders of civil society and inventors of the art of life and the teachers who draw
into certain propinquity with the Beautiful and the True. – Shelly
Pictorial poetry is the updated form of Visual Poetry or shapes poetry that was in ancient time popular with the name of Concrete Poetry in Greek in which Greek Anthology
survived during the time of Alexandria 3rd and 2nd centuries BCE. At that time in Greek, poems by Simmias of Rhodes in the shape of eggs and wings and a hatchet along
with Theocritus' Pan Pipes were popular.
In Concrete Poetry, letters and words are utilized to form a visual image that stresses more to the visual arts than to verbal ones. It also shows a considerable overlap in
the product. Words are arranged in such a way that depicts the subject. In 1510, master carpenter, Erhart Falckener created several decorated designs of letters in carved
shape or in the form of the spiral on the front of one of the church Pews. In shape Poetry, George Herbert's 'Easter Wings' in 1633 contained sideways on facing pages to
shape outstretched wings. George Herbert's 'The Temple' and Robert Herrick's 'This Cross Tree here' in the shape of the cross are the examples of Concrete poems or
shape poems or Poetry. In that era, typographical experiments moved from an auxiliary expression of meaning to artistic primacy. Louis Aragon exhibited the sequence of
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