Page 146 - 1980
P. 146

Oliver Twist



                Never before  has  a  boy wanted  more’





                     here might not have been full        3. Productions: The cast came for
                  T houses everynight. Lines were       the 6:00 make-up call and the 8:00
                “ spaced off” along with the songs.     showtime overflowing with enthusi­
                Cues were early and characters          asm. Warm-ups allowed time for the
                were dead. The audience was, to         actors to get into parts. The house
                put it bluntly, bored. But that’s not   filled with people and the show
                our fault. We are not responsible for   rolled. In fact the cast received a
                other high school musicals, for we      standing ovation for each perform­
                have found the cure for the common      ance.
                show. Here’s our formula:                 There is still one more ingredient
                  1.   Rehearsals: The cast works       which, if not included can blow the
                long, hard hours on lines, songs,       entire show. This is the main ele­
                characters, and blocking. “ It took     ment.
                over 5,000 man hours for everyone         4. Professionalism: This means no
                to prepare for the show,” said Direc­   messing around during any rehears­
                tor Jack Parkhurst.                    als, no giggling or waving “ hi” to
                   2.   Set and Lights: Two former stu­ mom during a show, and no jealousy
                dents of the director were called in    because someone else got the part
                the draw up what became the most       you wanted. It means entire cast
                 explicit plan ever used on our stage.   support, keeping in character, and
                 Robert Sunderman drew full color       playing the show totally, “ A la
                 sketches of each scene right down      Broadway.”
                 to the wallpaper.                        Our final results: The fall produc­
                   Dwight Sump planned a lighting      tion of “ Oliver” .
                 plot capable of capturing the perfect
                 mood in every nook and cranny.
                 Together their artistic talents cre­   Threatening and bullying a young boy is all in the sinister
                                                        nature of Bill Sikes (senior Dave Hattan). Sikes has a reputa­
                 ated a lighted set worth all the       tion of killing anyone for anything. Fagin (junior Ron LaRosa)
                                                        is there to try to prevent Sikes from hurtinq the defenseless
                 “ oohs” and “ ahhs” from the crowd.    Oliver




























                                             Attempting to teduce the Widow Corney (junior Mary Kay
                                             Gilreath). Mr  Bumble (senior Scott Rezek) finds pain as the
                                             rather plump widow plops on his lap while singing, "I shall
                                             scream  " Showing up at every rehearsal Mary Kay also was
                                             the stage manager
                                             Being a new recruit to the pickpocket organization, Oliver is
                                             taught the importance of being  "quality" by Nancy (junior
                                             Barb Copenhaver) and Bet (senior Ginny Sheehan). His first
                                             lesson is through the song, "I’d do anything"






      142  Fall Musical, “ Oliver!"
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