Page 27 - LUDLOW TOWER NOV 21 (WEBSITE)
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All you who pass this way,
look and see
The philosopher Wittgenstein advised In his early years in Crete El Greco
people visiting an art gallery or trained as an icon painter, and that is
exhibition: never try to rush through all much in evidence in this half-length
the paintings on show, but instead figure of Christ looking out at us, right
choose just one painting. Sit in front of hand raised to bless us and this world,
it for twenty minutes. Then get up and while the left holds that same world in
leave the gallery. It is difficult advice to His care. We see in the eyes an inner
follow because we feel we want our strength, but also the poignant sadness
money’s worth from an of longing. This is a Saviour
exhibition and we feel who has come through
overawed by the number of suffering and death to bring
paintings and the pressure of us new life.
the crowd so we go quickly As we look and see, we find
from one canvas to the next. here a Christ-calmed
Rushing around a gallery is steadiness amid the spinning
part and parcel of the way we world of rush and busyness.
meet each day. We rush out The nearer we draw to this
of habit, and we rush because Jesus, the slower we find
everyone else is rushing. Our ourselves spinning. The
world seems set in the fast El Greco, Public domain, duties and responsibilities that
lane. via Wikimedia demand so much from us take
If we want to take Wittgenstein’s advice their place in the wider perspective of
seriously and find ourselves in the the Saviour’s grace and love. Then we
National Gallery in Edinburgh, we could can begin to experience that peace
do no better than sit in front of this which the world cannot offer, but which
painting: El Greco’s ‘The Saviour.’ El Christ can bring.
Greco was born in 1541 in Crete, The first step is to stop and look. The
travelling to Venice, Rome and finally to Curé d’Ars, a parish priest in France in
Toledo in Spain where he died in 1614. the early 19 century, noticed an old
th
His art is a fusion of eastern and man who sat at the back of his church
western traditions, given extra fervour every day. He didn’t seem to be doing
by the Counter-Reformation and anything, just sitting looking towards the
resulting in a unique style of painting. Blessed Sacrament on the High Altar.
His canvases are peopled by elongated Eventually the priest became suspicious.
figures who seem always to be straining He asked what he was doing. ‘I’m
upwards, just as the Counter- praying,’ came the reply.’ ‘Yes, but what
Reformation was exhorting the faithful exactly is it you do?’ enquired the priest.
to set their sights on heaven as they ‘Well, I look at Him and He looks at me.’
journeyed through life. Rev Michael Burgess
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