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3. Touchstones: pedagogical articulations

                Personal matters and/in permanent visibility

                In the architecture of the personal learning environment, personal
                affairs are constantly taken into account. After all, every personal or
                individual difference can matter. But this also implies that a difference
                only matters when, and in so far as, it is monitored, documented, and
                made visible. This constant visibility is often the price that the student
                pays in order to be treated as a person. We are coming very close to the
                original meaning of the word ‘person’, which forms the backbone of
                the Latin ‘persona’ and refers to the mask or to the personage on the
                stage. This person is, in other words, the public or virtual side of some-
                one. What this clarifies, is that someone must want to get on stage and
                play a part to be recognised and acknowledged as a person; a profile is
                needed. This means concretely that learners are constantly asked to
                visualise and verbalise their personal characteristics, their own feel-
                ings and expectations, and their own situation. This also means that
                there must always be a stage or a platform for students on which their
                personal voice can be heard and their personal performance can be
                seen. Or, in absence of which, students – in a less or more radical way
                - can create or demand their own stage or claim attention for their
                person in another way. The ambivalence is this: personalised educa-
                tion wants to do justice to the person of the student, but in the end,
                risks only considering the roles, the characters, that students take on
                or must play in order to be audible and visible. The risk is also that
                students are addressed in such a way that they (have to) behave as
                performing actors and that they put all the attention from the school
                and the teacher on their own role or profile.

                Personalised feedback and learned helplessness

                The architecture of the learning environment is characterised by per-
                manent feedback loops, and this feedback continuously steers and
                supports the learning process. As said earlier, according to Wiener
                (1950/1989), applause is the most basic form of feedback. The risk is
                that the applause eventually determines who you are as a person or a
                student, a risk which is far from imaginary when the personalised stu-
                dent actually plays a part and has to perform. This means, concretely,
                that students become totally depended on feedback and would be

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