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The Author

    Danilo de los Santos, is a visual artist, art critic, cura-  giving lectures, taking part in different colloquiums,
tor, historian, cultural consultant and professor.               Biennials and national competitions Juries. He was a
                                                                 consultant for the León Centre project and the curator
    He was born in Puerto Plata, Dominican Republic in           for the opening exhibitions «Traces and Memory: León
1942, linked with Santiago de los Caballeros, where he           Jimenes Family» and «Dominican Art: Origin and Tra-
grows up and get an education. He was initiated in arts          jectory.» As a Puerto Plata’s native, he keeps permanent
by the painter Mario Grullón, then studied at the Fine           contacts with that city, collaborating with the Renova-
Arts Academy under Yoryi Morel and Federico Izquierdo            tion Society, its Competition «Our Country First» and
guidance. He also studies Education at the Pontificia Uni-       many other local cultural festivals.
versidad Católica Madre y Maestra (PUCMM), then pur-
sues a Master at the University of Puerto Rico, Río Piedras          He is the author of a number of art and history
premises (1974-1976) with the Ford Foundation support.           texts, among them: «Painting on the Dominican Soci-
Later on, he gets certified in Cultural Management at the        ety» (1978), «The Santiago’s Painters» (1970), «Notes of
Latin American and Caribbean Centre for Cultural Devel-          a Young Painter» (1979), «Cándido Bidó’s Blue Paradise»
opment (CLADEC), Caracas, Venezuela, 1989.                       (1999) and Dominican Painting’s Memories» (2003-2009)
                                                                 a research in 10 volumes sponsored by the León Jimenes
    As a university professor, he works at the PUCMM             Group. Also: «Raul Morilla: Corpus Common Narra-
(1969-1989), as the Director of University Cultural Ex-          tives» (2012), and «50th Anniversary’s Album 1962-2012
tension, Publications, History and Geography Depart-             - Pontificia Universidad Católica Madre y Maestra.» He is
ments. He also directed the EME-EME Dominican Stud-              also the co-author of «Dominican History’s General Vi-
ies Magazine (1980-1987).                                        sion» (1977), «100 Years of Dominican Painting» (1988),
                                                                 «Customs Collection» volume I, (Customs General Di-
    He co-founded the Friordano Group, has more than             rection, 2007), Äpeco: Photography, History and Life»
30 individual exhibitions in his record participating            (Cámara de Diputados de la República, 2008), «Clara
in several collectives as well. He has been awarded for          Ledesma, Fantasy Kingdom» (Cámara de Diputados
painting (VI León Jimenes Competition, 1970), drawing            de la República, Galería de Arte Nader, 2008). Also,
and installation (XVIII National Biennial, 1992), and            «Juan Plutarco Andújar, Contemplation and Serenity»
sculpture(XIX National Biennial, 1994); besides the Jury         (2009).
Special Prize at the First Nickel Palette Biennial (Bonao,
2005). On the arts field he is known by the artistic nick-           In 2009, on a public ceremony, the Ministry of Cul-
name Danicel.                                                    ture declared him a Nation’s Cultural Asset. In 2010 he
                                                                 works as a curator of the First Caribbean International
    He was the President of the Art Critics Dominican            Triennial. The Puerto Plata VI Restoration Festival, in
Association, affiliated to the Art Critics International         2013, paid homage to him.
Association; and the Director of Santiago’s Fine Arts
School. He has written for different media, apart from

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