Page 16 - New Silat Rules 2020
P. 16

Silat is a collective word for a class of indigenous martial arts from a geo-cultural area of
               Southeast Asia encompassing most of the Nusantara, the Indonesia Archipelago, the Malay
               Archipelago and the entirety of the Malay Peninsula.

               The origin of Silat is uncertain. The Silat tradition is mostly oral, having been passed down
               almost entirely by word of mouth. In the absence of written records, much of its history is
               known only through myth and archaeological evidence.

               Reference – Green, Thomas A. (2010). Martial Arts of the World: An Encyclopedia of History
               and Innovation. ABC-CLIO. ISBN 9781598842432.

               As an art (seni), Pencak Silat is performed to celebrate the beauty of movement. Pencak
               Silat seni expresses cultural values in the form of patterns of movement and rhythm, which
               involve  harmony,  balance,  and  the  accord  of  gracefulness,  rhythm,  and  feeling.  In  some
               regions, artistic moves are accompanied by special percussion instruments and are performed
               at social events, such as harvest festivals, marriages, and public gatherings.

               As a form of self-defense (bela diri), Pencak Silat is performed to heighten the human instinct
               to  defend  oneself  against  any  kind  of  threat  and  danger.  To  this  end,  the  tactics  and
               techniques that the Pencak Silat practitioner (pesilat) uses emphasize his physical safety and,
               if necessary, attacking the opponent first.

               Likewise,  as  a  sport  (olah  raga),  Pencak  Silat  prioritizes  physical  skills  to  attain  fitness,
               dexterity, and  endurance.  When training, a pesilat (practitioner of  Pencak  Silat)  strives to
               enhance  the  agility  of  the  body  and  to  make  more  forceful  maneuvers,  while  gaining
               confidence in order to perform well in sport competitions.

               As  a  spiritual  exercise  (olah  batin),  Pencak  Silat  focuses  more  on  shaping  the  individual
               bearing  and  character  of  the pesilat as  befitting  its  spiritual  philosophy.  It  places  equal
               emphasis on controlled physical movements, inner power, and observance of the core value
               of nobleness of mind and character (keluruhan budi pekerti).

               These  four  aspects  combine  in  the  specific  movements  of  Pencak  Silat,  which  consist  of
               several key components or basic techniques. In general, we can differentiate four kinds of
               basic techniques: initial stance, footwork, offensive techniques, and defensive techniques. By
               assuming an initial stance (standing position), the pesilat shows that he/she is ready and on
               guard. This could switch at any time to a particular tactical move. Normally both legs and arms
               are employed in this stance, which may involve standing, crouching, sitting, or lying down.

               If  initial  stances  are  the  static  part  of  Pencak  Silat,  the  footwork  is  its  dynamic  part.  By
               determining the direction, type, and tactic of the maneuver, the pesilat moves to defend or
               attack. More specifically, defending oneself involves taking action to evade attack from an
               opponent  (using  defensive,  evasive,  and  disengaging  techniques  for  instance).  Offensive
               action involves trying to bring down the opponent in a number of ways, such as punching,
               kicking, and grappling. These defensive and offensive techniques also make use of several
               kinds of weapons, such as knives, swords, trisula (tridents), and toya (wooden staffs usually
               of rattan).
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