Page 200 - creative spark 2020
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              I close my eyes and pray for it to stop. “Help! Help!” I start to
        hear the sound of bones snapping which makes me want to run
        away from all of this, but Tod’s voice encourages me to gather my
        courage to stand and open my eyes.

              I see Tod being pulled face-first towards the rotating ceiling
        fan. I choose not to help him and follow my instinct to run towards
        the door, away from the horrifying scene, away from our friendship,
        away from Tod my best friend.
              I open the door, ignoring his last cry for help. I hope that he
        will be fine. However, as I am running down the corridor, I turn and
        look over my shoulder to see his head moving through the incisive
        penetrating fan. His screams ring in the corridor and my head.
              I keep running faster and faster until I pass through the
        same archaic motel door. There’s no questioning from the dull
        receptionist. She seems to know what has happened to us.
        Fortunately, my car is waiting for me at the front door. I tell the driver
        to drive as fast as possible back to my house, to the warm hug of
        my parents.
              Along the way, I think about the incident and try to delete it
        from my head. I try to start a conversation with my driver but he
        does not answer. Then, I suddenly remember something: I told him
        that we would leave after two nights, so how does he know that
        I want to leave in the middle of the night? At that moment, my driver
        unnaturally turns his face back 180 degrees and looks me in the
        eyes. His mutilated face seems familiar. It has the face of my best
        friend Tod. The thing with my friend’s face turns back the car and
        heads back towards the motel.
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