Page 30 - 2022-08-01 Sound & Vision
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test report



            EPSON LS12000 4K PRO-UHD LASER LCD PROJECTOR


           light output levels than standard
           dynamic range content to prevent       Test Bench
           over-compression and allow for
           more headroom in the tone map.)
           With a dedicated HDR picture           Measurements were taken in a variety of conditions, with the bulk of them using the Cinema
           mode offering adjustments more          picture preset. Calibration was performed with dynamic laser modes disabled. Contrast ratio
           suitable for HDR playback (such        measurements were done in various modes as noted. A 110-inch diagonal 1.78:1 Stewart Studiotek
           as higher laser output, etc.) like we   130 (G4) screen (1.3 gain) was used for all viewing and measurements.
           see on other projectors, the viewer
           wouldn’t have to manually switch
           to a different picture memory every     Average                   Native                             Dynamic                     Dynamic
                                                  Display           (Short throw)                 (Normal w/prolonged                         (Fast)
           time they watch HDR content.
                                                  Luminance                                              measurement)
             As I mentioned above, Epson
           offers 16 adjustment steps for
           fine-tuning the projector’s onboard       On/Off                 3,436:1                              13,963:1                    18,190:1
           HDR tone mapping. While that’s               1 Pixel            3,780:1                              13,963:1                    18,190:1
           a useful tool, I was hoping to see       1% ADL                  3,160:1
           Epson progress to a true scene-by-
                                                    2% ADL                 3,032:1
           scene or frame-by-frame adaptive
                                                    4% ADL                 2,700:1
           tone map for HDR processing
           with this model. This would take         5% ADL                 2,554:1
           a lot of the burden off the viewer       10% ADL                 2066:1
           to constantly fiddle with HDR             20% ADL                  1281:1
           se ings to maximize the projector’s
                                                    30% ADL                  880:1
           dynamic range depending on
           content, or even on a scene-by-
                                                    Full on/off contrast was
           scene basis. The LS12000 does
                                                  measured with a Minolta T-10
           support the HDR10+ format, which
           is dynamic in nature (the content      meter approximately 1 meter
                                                  away from the lens face. I
           provides metadata to the display
                                                  tested the projector in various
           that determines the adjustments),
                                                  dynamic laser modes (Normal
           but HDR10+ on streaming and disc
                                                  and Fast) for dynamic contrast
           is currently limited.  The far more
                                                  measurements. Refer to the
           prevalent Dolby Vision HDR format
                                                  table for details on the contrast
           offers similar dynamic advantages
                                                  results and measurements at
           (more so, in fact) but is not available
                                                  different average display levels.
           on any front projectors at the
                                                  Native sequential contrast
           moment.
                                                  varied based on projector throw
                                                  with the peak reading of 5,266:1
            CALIBRATION                           reflecting the longest throw. The
                                                  table lists the contrast in the
           Even with the Epson’s menu
                                                  shortest throw in calibrated Cinema mode to represent the native contrast level of the projector’s
           system ge ing in the way a bit,
                                                  LCD panels. I did not conduct ADL measurements for the different modes due to the nature of the
           I was still able to get my calibra-
                                                  Epson’s dimming performance.
           tion job done with great results.
                                                    Calibration reports were captured from a workflow in Portrait Displays’ Calman 2020 calibration
           The Epson has numerous picture
                                                  software. SDR calibration was measured with REC.709 and a 2.4 gamma for targets.
           modes to choose from, all of which
                                                    The BT.709 color gamut was marginal, with a peak Delta E (dE) of 7 and an average of 4.
           push the color space or grayscale
                                                  Post-calibration results were much improved, with a peak dE of 2.6 and an average of 1 for the
           in different ways to accommodate
                                                  grayscale/gamma, and a peak of 3.5 and average of 1.1 for color tracking. Red tracking at 75%
           different viewing environments
           and tastes. I chose to start my work   saturation was non-linear compared to the rest of the gamut tracking and was the only point that
                                                  exceeded a dE of 3. The rest of the luminance and saturation values throughout the inner gamut
           from Cinema mode. The grayscale
                                                  were much better. Grayscale/
           in Cinema was a bit heavy on blue
           and colors were slightly over-         gamma before calibration had an                      DIMENSIONS (W x H x D, inches): 20.5 x 7.6 x 17.6
                                                  average dE of 6.2 but an average                     WEIGHT (pounds): 28
           saturated, but it appeared to be the
                                                  of 1 after calibration with no level   Specs         VIDEO INPUTS: HDMI 2.1 (2, 1 w/eARC, 48Gbps)
           most accurate preset of the bunch.
                                                  exceeding a dE of 3. Overall, this                   OTHER: USB type-A, mini-USB (service only),
             To calibrate for best HDR
                                                  is very good performance and in-                     LAN (Ethernet), RS-232C, 12-volt trigger output
           results, you would need to create
                                                  line with other projectors at this                   ILLUMINATION METHOD: Laser array
           different image modes for different
                                                  price point.–KRD                     RATED LIGHT SOURCE LIFE: 20,000 hours (all laser levels)
           content brightness levels since
           there is a large variance in peak
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           30       August September 2022      soundandvision.com
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