Page 340 - Encyclopedia of Nursing Research
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MUSIC THERAPy  n  307



                 Throughout  history,  music  has  been   meanings, and self-insight. In addition, stud-
             used  for  a  variety  of  therapeutic  purposes   ies have shown that music reduces pain and
             by primitive people to ward off evil spirits,   anxiety, reduces muscle tension, raises levels   M
             to prevent or cure illnesses, to relieve depres-  of  beta-endorphins,  and  lowers  adrenocor-
             sion,  to  modify  emotions,  and  to  achieve   ticotropic  stress  hormones.  Music  has  been
             inner  harmony.  Early  cultures  had  little   found to improve the immune system, sali-
             means  to  treat  disease,  so  music  and  spir-  vary cortisol, postoperative and cancer pain,
             ituality  were  used  to  provide  comfort  and   sleep, nausea and vomiting of chemotherapy,
             help  people  cope.  During  the  Renaissance,   mood during stem cell transplantation, pain
             physicians  became  interested  in  the  thera-  of  osteoarthritis,  and  cardiac  anxiety  and
             peutic value of music and incorporated it in   autonomic balance. It has also been effective
             their training and practice. From the seven-  for acute and chronic pain and during stress-
             teenth  century  onward,  physicians  studied   ful  or  painful  procedures  (e.g.,  injections,
             the  effect  of  music  on  physiology  and  psy-  gastrointestinal  endoscopy,  and  lumbar
             chology  and  debated  whether  to  focus  on   punctures). Music has been generally found
             the  type  of  music  that  was  effective  versus   to  reduce  anxiety  before,  during,  and  after
             the type of person who responds positively   surgery, during burn debridement, in chroni-
             to  music.  Florence  Nightingale  used  music   cally ill patients, and after myocardial infarc-
             with injured soldiers in the Crimea. She had   tion.  It  has  been  studied  for  circumcision
             recreation areas where recovering men could   pain in infants, for injection pain in children
             go to listen to singing or playing of musical   and  adults,  for  disturbances  in  psychiatric,
             instruments.                             demented, and agitated patients, in the criti-
                 At  the  beginning  of  the  twentieth  cen-  cally ill, in dyslexic children, in postanesthe-
             tury, the first laboratory studies of the phys-  sia  patients,  in  the  emergency  department,
             iological effects of music were conducted on   and  in  those  who  are  comatose  or  dying.
             animals  and  humans.  These  experiments   Lullabies  have  shown  beneficial  effects  on
             demonstrated  changes  in  vital  signs  and   preterm  infants.  A  double-blind  study  of
             body secretions in response to various types   music  during  surgery  showed  effects  on
             of music. They are rejected by most investiga-  recovery. In mice, music reduced stress and
             tors today because of the poor quality of mea-  metastasis and improved immune factors.
             surement, analysis, and control. In the 1930s,   Music has been categorized into stimu-
             music began to be used in patients’ hospital   lative and sedative types. Stimulative music
             rooms, in surgery before general anesthesia,   has  strong  rhythms,  volume,  dissonance,
             and during local anesthesia. Music was used   and  disconnected  notes,  whereas  sedative
             in  obstetrics  and  gynecology  to  reduce  the   music has a sustained melody without strong
             side effects of inhalation anesthetics.  rhythmic or percussive elements. Stimulative
                 Nursing  reviews  of  research  on  the   music  enhances  bodily  action  and  stimu-
             effect  of  music  on  health  outcomes  can  be   lates  skeletal  muscles,  emotions,  and  sub-
             found in chapters by Good (1996), Guzzetta   cortical reactions in humans. Sedative music
             (1988,  1997),  Standley  and  Hanser  (1995),   results  in  physical  sedation  and  responses
             and Snyder and Chlan (1999). The American   of  an  intellectual  and  contemplative  nature
             Music Therapy Association and two journals,   (Gaston,  1951).  Precategorization  by  the
             the  Journal  of  Music  Therapy  and  the  Music   nurse, however, does not consider the kind of
             Therapy Perspectives, are excellent resources.  subject response. Other ways of categorizing
                 Music can transport patients’ thoughts to   are slow and fast music, or by type of music
             a new place, give them new perspectives, lift   or instrument.
             their mood, provide comfort, familiarity and   To  choose  music  that  is  therapeutic,
             pleasure to patients, and stimulate memories,   the  nurse  should  consider  the  nature  of
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