Page 44 - HISTORY ANGKOR
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DEVAS AND ASURAS
                                                                                       Grimacing asuras (demons) line one
                                                                                       side of the approach to the South
                of the Royal Geographical Society of London.                           Gate of Angkor Thom. Opposite
                                                                                       them is a row of devas, benvevolent
                Mouhot had set sail for Bangkok in April 1858,
                                                                                       Hindu deities. Both the devas and
                accompanied by his dog Tine-tine, to gather
                                                                                       asuras are perched on the back of a
                plant and animal specimens from the region for                         serpent, called a naga.
                European collectors.                                                    TIM LAMAN/NATIONAL GEOGRAPHIC

                  Mouhot spent three months in Angkor, ex-
                ploring the ruins, sketching its temples, and re-
                cording his impressions in his diaries—not only
                of Angkor itself, but of the Khmer people as well:


                    In the province still bearing the name
                    of Ongkor . . . ruins of such grandeur . . .
                    at the first view, one is filled with pro-
                    found admiration, and cannot but ask

                    what has become of this powerful race,
                    so civilized, so enlightened, the authors
                    of these gigantic works?


                This intimate vision of Angkor, accompanied by
                Mouhot’s evocative drawings, was published in

                1864 and drew European attention to the ancient
                Cambodian capital. In 1867 a French expedition
                arrived in the area, ostensibly to chart the course
                of the Mekong River. One of the members was a
                promising young artist named Louis Delaporte.
                His idealized illustrations of Angkor—includ-
                ed in two publications produced by the expe-
                dition—helped cement the popularity of the
                temples in the Western mind. Reproductions

                of Cambodian art were exhibited at the popular
                World Exhibitions between 1867 and 1922. At
                the 1931 Paris Colonial Exhibition, a spectacular
                replica of the Angkor Wat temple was erected.
                  The restoration of the temples, which began in
                1907, opened the latest chapter in Angkor’s long
                story. Since then, the complex called Angkor

                Archaeological Park has become one of the rich-
                est, most important archaeological sites in the
                world. In 1992 it was established as a UNESCO
                World Heritage site for its cultural influence.
                Today Angkor Wat is also essential to Cambo-
                dia’s economic prosperity, as it continues to be
                one of the nation’s biggest attractions. Even in
                the 21st century, it’s hard not to see the value of

                an epic 12th-century vision of eternity.



                   SPECIALIZING IN ARCHAEOLOGY AND THE HISTORY OF SOUTHEAST ASIA, VERONICA
                 WALKER IS A POSTDOCTORAL RESEARCHER AT THE UNIVERSITY OF HELSINKI, FINLAND.


                Learn more

                Angkor and the Khmer Civilization, 2nd Edition
                Michael D. Coe, Thames & Hudson, 2018.


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