Page 288 - Art and Crafts of Bangladesh
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WOMEN ARTISTS   285


                                                          pictorial naturalism is very rare in these  fig. 7.22 (top) Nasreen
                                                          times. Still life, plant life, the corner of  Begum, Woman with
                                                               45
                                                          a room, pebbles etc. have made their  Cactus, acrylic, 2006
                                                          place in Dipa’s work.
                                                          Nasreen Begum (1956- ) practices  fig. 7.23 (bottom)
                                                          painting in the oriental method. She  Rowshan Haq Dipa,
                                                          uses the wash technique in watercolors  Fare Forward, oil on
                                                                                            canvas, 1946
                                                          with great skill. The world of women
                                                          and women themselves remain
                                                          constant as the theme of her work. The
                                                          method and media she employs direct
                                                          her to look at nature in minute details.
                                                          Women and nature, the unequal
                                                          position of women in life is presented
                                                          in delicate and faultless beauty. Rough
                                                          reality is a sugar-coated pill in her
                                                          work (fig. 7.22).
                                                          Rokeya Sultana (1958- ) showed
                                                          increased activity from the nineties.
                     Her work became distinguished by the depiction of her self-realization and her lived
                     experience. She represented her daily struggle in the
                     known surroundings of her city (pl. 3.7). Her images are
                     similar to child art. Syed Manzoorul Islam specifies, ‘Her
                     works . . . draw strength from primitive sensibility or from
                     a child’s unrestricted vision.’ She works in prints and
                                              46
                     other media. Rhythmic lines and figurative imagery lends
                     distinction to her work. Woman’s existence, experience
                     and the sensory world from a woman’s perception are the
                     materials that make up her work.
                     Akhtar Jahan Ivy (1958- ) is one among a few women
                     sculptors. She grows more productive from the nineties.
                     Childhood memories, the environment and nature have
                     found a place in her work. She works in cement, bronze,
                     sheet metal, wood, terracotta etc. media (pl. 2.20). A simple
                     abstraction of elements and figures from her known world
                     distinguished her work. 47
                     Dilara Begum Jolly (1960- ) has continued to represent
                     social reality directly in her work. She has given form to
                     social contradiction, oppression, inequalities and injustice
                     in pictorial language. Among her chosen themes,
                     discrimination against women and her feministic viewpoint
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