Page 293 - Art and Crafts of Bangladesh

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16. Heide-Goettner Abendroth, ‘Nine Principles of Matriarchal Aesthetics,’ in Art and Its Significance, An
Anthology of Aesthetics, David Ross (ed.), (New York 1994), 568.
17. Partha Mitter, Art and Nationalism in Colonial India 1850-1922, (Cambridge 1994), 75.
18. Jogesh Chandra Bagal, ‘History of the Govt. College of Art and Craft,’ Centenary Government College
of Art and Craft Calcutta, (Calcutta 1966), 49-50.
19. Germaine Greer, The Obstacle Race, (New York 1979), 7.
20. Kamal Sarkar, Bharater Bhaskar O Chitrashilpi, (Calcutta 1984), 50.
21. Ibid., 217.
22. Ibid., 221.
23. Kishore Chatterjee, ‘Three Women Painters of Bengal,’ in The Crafts of Bengal and Eastern India, R.
P. Gupta (ed.), (Calcutta 1982), 84.
24. Anupam Hayat, Meherbanu Khanam, (Dhaka 1997), 54.
25. Ibid., 56.
26. Ibid., 66.
27. K. Sarkar, op. cit., 216.
28. A. Hayat, op. cit., 59.
29. K. Chatterjee, op. cit., 84-85 and K. Sarkar, op. cit., 109-110.
30. Vide K. Sarkar, Ibid., 199 and K. Chatterjee, Ibid., 85.
31. K. Sarkar, Ibid., 216.
32. Ibid., 108.
33. Ibid., 26-27.
34. Ibid., 54.
35. Ibid., 25.
36. Ibid., 27.
37. Ibid., 236.
38. Ibid., 169.
39. Ibid., 187.
40. Ibid., 57.
41. Mohammad Nazrul Islam Aghrani, Shilpi Shashibhusanpal O Maheshwarpasha School of Art,
unpublished dissertation (1988), 18.
42. ‘Rumi Islam a Woman Painter,’ Contemporary Arts in Pakistan, Vol. II, No. 4 (Winter 1961).
43. Nasim Ahmed Nadvi, ‘Introduction,’ She a Group Art Exhibition, (Dhaka 1994).
44. Anna Islam, 3rd Solo Show, Naima Haque, (Dhaka 2000).
45. Abul Mansur, Dipa Haq Ekak Chitra Pradarshani, (Dhaka 1998).
46. S. Manzoorul Islam, Sojourn Exhibition of Works by Rokeya Sultana, La Galerie, Dhaka.
47. Forms and Elements, Unity and Diversity, compiled and edited by Nasimul Khabir, (Dhaka 2006).
48. Abul Mansur, Anne 2000, 1st Solo Painting Exhibition, (Dhaka 2000).
49. Abul Mansur, Niloofar Chaman Drawings in Mixed Media 1994, Dhaka
50. Loc. cit.