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e. Rashid Choudhury
                                              Nasima Haque Mitu


                     Rashid Choudhury was born on 1st April 1932 at Haroa under the then Faridpur
                     district (currently under Rajbari district) in a zamindar family. His father was Yusuf
                     Hossain and mother Shirin Nessa Choudhurani. They were nine brothers and four
                     sisters. His father was a lawyer by profession and was involved in politics. It is known
                     that he was interested in the arts.
                     Rashid Choudhury passed the matriculation examination in 1949 and was admitted to
                     the Art College (now Institute of Fine Art, Dhaka University). He passed the BFA
                     examination in 1954 getting first class. In 1956-57, he got a postgraduate scholarship
                     of the Spanish government and went to the Central Escula Des Bellias Artes De San
                     Fernando in Madrid to learn sculpture. He went abroad for higher studies for the
                     second time in 1960-64. This time he went to the Academy of Julian and Beaux Arts
                     in Paris under a French government scholarship. There he received higher education
                     in fresco, sculpture and tapestry.
                     Rashid Choudhury won the first prize in fresco medium in Beaux Arts Paris in 1961.
                     He was awarded the first prize in RCD biennale exhibition held in Iran in 1968. In
                     1977, he received Ekushey Padak (highest civilian award) from the government of
                     Bangladesh and he got Bangladesh Shilpakala Academy Award in 1980. In 1986
                     Bangladesh Charushilpi Samsad gave him an honorary award.
                     Artist Rashid Choudhury died in Dhaka on 12 December 1986.
                     Subjects of works, probable sources of inspiration and analysis of works:
                     The creativity of Rashid Choudhury moved in a circle centering on his mental
                     structure. He took a simple element with which he could identify himself and then
                     presented it in magical form – in composition without logic, in the image of dreams
                     and in emotional colors. He had an irresistible attraction towards the myths of
                     Bengal, in superstitions (which have their base in the folk culture of Bengal) and in  fig. 9.23
                                                                                            Rashid Choudhury
                     imaginary feelings.
                     He was a romantic and a person with a positive attitude towards life. Through the
                     many complexities in his brief existence in the world, he never lost interest in life. The
                     happiness derived from love was very important in the life that he led. In all his works
                     is established the vibrancy of moving life.
                     The familiar icons of myths and folktales of Bengal like Radha-Krishna, Durga,
                     Kali, elephant, horse, bird, snake, and tree (banyan and banana) were repeatedly seen
                     in the art works of Rashid Choudhury. The forms of folk art created the forms of the
                     formal art of Rashid Choudhury. He traveled from form to the formless and the
                     imageless, in quest for the image. From this sensation in his work one may enter to
                     seek the source of his work.
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