Page 266 - Hamlet: The Cambridge Dover Wilson Shakespeare
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1.4.                NOTES                     159

                testant  theologians that  ghosts  must  be  either  angels,  or
                devils; he  gives no hint  of Purgatory.  Cf.  Introd. p. Hi.
                  43.*  in  such a  questionable  shape =in  at  any  rate  a
                form  1 can talk to.
                  53.  Revisits  (£>2,  Fi,  Qi)  Most  edd.  read
                'revisit'st,'  but  Sh.  commonly  omitted  't'  of  2nd  pers.
                sing,  when  it  would  be  ugly  or  difficult  to  pronounce.
                Cf.  1.  5. 84, and MSH. p. 291.
                  54.  fools of nature — nature's dupes, i.e. the realm of
                natural  phenomena  is  an  illusion,  as  we  realise  when
                faced  by the  supernatural.
                  68.  waves me forth  Sh.  is thinking  in  terms  of  the
                theatre. The  'platform'  is out of doors in  Elsinore,  but
                at the  Globe  the  Ghost  stands  by one  of the  stage  exits
                and  'waves forth.'  Cf.  1.  1. head-note  and  notes  3. 2.
                378;  3. 4. 49-51  below.
                  73.*  deprive..  .reason  «= dethrone  your  reason  from
                its  sovereignty  over  the  mind.  Cf.  'your  cause  of
                distemper'  3. 2. 338.
                  75-8.  The  very  place..  .beneath.  Fi  omits  these
                lines;  Delius  fantastically  suggests  that  Sh.  wished  to
                use the substance  of them  for  his description  of the  cliff
                at Dover  in  King  Lear.
                  82.  artere*  Q2  'arture,'  Fi  'Artire,'  Qi  'Artiue.'
                For  Sh. the word  was a dissyllable; 'artere'  is a normal
                sp.  of  the  period.  MSH.  p.  288.  [1954. v.  G.]
                   91.  direct  it  = direct  'the  issue.'  Hor.  answers  his
                own  question.
                   Nay  i.e. 'let  us not leave  it  to  heaven,  but  do  some-
                thing  ourselves'  (Clar.).

                                       1.5.
                   S.D.  The  scene  takes  place  on  the  front  stage; the.
                Ghost  disappears  down the trap, and  then  'cries  under
                the stage.'  Chambers, who does not think that the upper-
                stage 'was used for the platform  at Elsinore Castle,' gives
                as his reasons:  'There  would  be hardly room  "above"
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