Page 270 - Hamlet: The Cambridge Dover Wilson Shakespeare
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r.5.                NOTES                     163
                Dowden   'command'   (cf.  Jul.  Caes.  5.  3.  5);  but
                neither  accounts  for  the  inclusion  of  'adieu,  adieu'  or
                for  the  oath  that  follows.  I  interpret  it  heraldically  as
                the motto or 'word'  on a knight's coat of arms or shield,
                which  expressed,  often  in  riddling  or  cryptic  fashion,
                the  cause  or  ideal  to  which  the  life  of  its  bearer  was
                sworn.  Cf.  the  joust  in  Pericles,  2.  2.  at  which  six
                knights appear, each with a device on his shield, together
                with  a 'motto'  or  'word,'  these terms  being  used inter-
                changeably  (v.  N.E.D.  'motto,'  iff).  Ham.  solemnly
                dedicates  himself  to the  service  of the  quest which  the
                Ghost  has  laid  upon  him,  adopting  as  his  motto  his
                father's  parting words.  By a touch  at  once  of  supreme
                irony and of profound  psychological insight, the  'Word'
                his  creator  gives him  is 'Adieu,  adieu, remember meP
                   114,  So be it!  A fervent  Amen to Hor.'s  prayer.
                   115.  Wo,  ho, ho  Mar.  in  despair  halloos at the top
                of  his voice;  Ham.  mockingly  echoes him, turning  the
                cry into a falconer's  call.
                   121.  once =  ever.  Cf.  A.  £5? C.  5. 2.  50.
                   126-32.  Why  right,  ...I  -will go pray  The  speech,
                which  begins  in  a  manner  as  'wild  and  whirling'  as
                those which have gone before, suddenly changes tone as
                the  words  'business  and  desire'  remind  Ham.  of  the
                task  that  lies  before  him.  But  the  hysterical  hilarity
                returns with the  Ghost's  cries.  Cf.  Introd. p. Ixii.
                   135.  offence v.  G.
                   136-40.  Tes..  .asyou  may  These words, spoken to
                Hor. alone, should  I think  be an aside, 'And now, good
                friends'  (v. note  11. 139-40),  marking the  point  where
                Mar.  is brought into the  conversation.  Mar.  is  Ham.'s
                problem  in this scene,  as Dowden  (taking  his cue  from
                Irving) alone among critics seems to have reajised  (cf. his
                notes  on  'Denmark'  1.  123  and  'truepenny'  1.  150).
                Ham. will tell Hor. everything later; but Mar. must know
                nothing  except what  he  knows already, and  on that  he
                must  be sworn to secrecy.
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