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3.2.                N O T E S                 197

                quote his jests down  in their  tables  before  they  come to the
                play, as thus: 'Cannot you stay till I eat my porridge?' and
                'You  owe me a  quarter's  wages,'  and  'My  coat  wants a
                cullison,' and 'Your  beer is sour,' and 'Blabbering with his
                lips'; and thus keeping in his cinquepace of jests, when God
                knows the warm clown cannot make a jest unless by chance,
                as the blind  man catcheth  a hare: masters, tell him of it.
                Whatever  be its source, this addition  must be a personal
                attack upon a particular  clown, who is accused of using
                very stale material, since two of the 'cinquepace of jests'
                occur  in  Tarlton's  Jests  (pub. c.  1600),  v.  ed.  Shak.
                Soc.  1844, pp. 5,12.  Collier suggested that the Clown
                was William  Kempe, who  left  Sh.'s company in  1599.
                  45.  piece  of  work  i.e.  masterpiece.  Ham.  speaks
                jocularly.  Cf.  2. 2.  307.
                   52.*  just  = equable,  well-balanced  (as  is  clear  from
                11. 64-70).  Cf.  M.  ofV.  4.  1. 323 'a just  pound.'
                   58—60.  candied  tongue..  .fawning  The  image  is
                that of a spaniel at table, its tongue 'candied' with, sweet-
                meats, yet 'fawning' for more (Spurgeon, SL's  Iterative
                Imagery in  Aspects, pp. 266  ff.).  For  'thrift'  v.  G.
                   59.  pregnant  'because  untold  thrift  is  born  from  a
                cunning  use of the knee'  (Furness).  v.  G.
                   62-3.  distinguish her election, $h'Aath(Qz)  F.'dis-
                tinguish,  her  election  Hath'—which  all  mod.  edd.
                follow.  MSH. pp. 274-75.
                  66-70.  blest..  .passion*s slave  Ham.  admires  Hor.
                for  being  what  lie  himself  is  not;  the  passage  is  an
                important  piece  of  self-criticism,  and  also  a  hint  from
                Sh.  to  the  audience  for  the  appraisement  of  Ham.'s
                conduct  in  what  follows.  With  'passion's  slave'  cf.
                'lapsed in time and passion' 3.4.107.  Ham. compares
                himself to a 'pipe' again at 3.2.354  ff.  Cf. also Introd.
                pp. 1-liii.
                  67.  co-medkd,  Qz  'comedled,'  F l  'co-mingled'—
                which  all edd. follow.  MSH.  pp.  271, 278.
                  75.  I  have told thee  v. note  1. 5.  139-40.
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