Page 303 - Hamlet: The Cambridge Dover Wilson Shakespeare
P. 303

196                 NOTE S                   3.3.
                could play Ercles rarely, or a part to tear a cat in, to
                make all split.' Referring to the violent action of the old
                miracle plays, v. G. 'Termagant,' 'Herod.'
                   12. inexplicable dumb-shows This express condemna-
                tion of Dumb-shows proves that Ham. must not be held
                responsible for the Dumb-show that follows.
                   20. from the purpose—contrary to the purpose.
                   20-24. whose end.. .pressure This famous declara-
                tion has relevance to the Gonzago play, to Hamlet itself,
                and to the whole question of 'topicality' in Sh. Cf. note
                2. 2. 528-30. 'Playing' includes the art of the play-
                wright; 'scorn' «= that which should be scorned, v. G.,
                for 'body of the time' cf. J.T.L.  2. 1. 58-9.
                   21—2. hold... nature = not 'reflect nature' but
                'show human nature the ideal.'
                   26-7. the judicious. ..of the which one The singular
                suggests reference to a special patron. Southampton,
                who is known to have frequented plays assiduously in
                 1599, was in the Tower after Feb. 1601.
                   28-34. 0 there be players etc. Another hit at the
                 •robustious periwig-pated fellow' (cf. note 3. 2. 3-14).
                 Lucianus later makes- 'damnable faces' and Ham.
                sarcastically bids him 'bellow' (v. 11. 252-54).
                   34. abominably Q2 'abhominably.' The mod. sp.
                 conceals the quibble; the word being supposed to derive
                 from 'ab homine.'
                   35-6. / hope.. .indifferently with us This dubious
                 assurance of reformation is a confession that Ham.'s
                 strictures refer to him and his company.
                   37-43.* and let those that play your chwm etc. No
                clown appears in the Gonzago play, so that these words
                seem directed against a real down recognisable by Sh.'s
                audience. This is supported by an extension of the
                passage in Hamlet, 1603 (Qi), which runs (in mod.
                spelling):
                   And then you have some again that keep one suit of jests,
                as a man is known by one suit of apparel 5 and gentlemen
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