Page 337 - Hamlet: The Cambridge Dover Wilson Shakespeare
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230                 NOTES                    4.%

                exercise, (J>) a treacherous thrust; cf. 1. 66 above,
                note 5. 2. 299 and G. 'practice.'
                  139-40. anoint...unction With a poss. quibble
                upon extreme unction: v. G.
                  143-4. Collected...moon Herbs were thought to be
                more efficacious if gathered by moonlight.
                  149.* / / us to our shape 'i.e. mould our plans to suit
                our ends.
                  158. preferred (Qz) F 1 'prepar'd'—which most
                mod. edd. read. MSH. p. 278.
                  161. But stay, what noise ? (£) 2) FI omits and reads
                instead 'How now, sweet queen'—which most edd.
                follow although some adopt both readings. Q1 supports
                FI by reading 'How now Gertred.' MSH. pp. 246-7.
                   165-82. There is a willow etc. C. C. Stopes and
                E. I. Fripp conjecture that Sh. may have drawn upon
                memories of the drowning of 'Katherine Hamlett
                spinster,' in the Avon on Dec. 17,1579/80 (cf. Fripp,
                Minutes of the Corp. of Stratford, iii. 50), but the time
                of year makes it impossible for 'the setting' to have been
                drawn upon also, as Chambers {Will. Shak. i. 425)
                seems to suggest. Cf. also Harrison, Sh. at Work,
                pp. 272-73.
                   165. askant Q 2 'ascaunt/Fi 'aslant'—which most
                mod. edd. read. MSH. p. 278.
                   167. Therewith.. .make (£> 2) FI 'There with...
                come'—which mod. edd. read, and so miss the fact that
                the garland was made of willow, the emblem of dis-
                consolate love; cf. Oth. 4. 3. 51 'Sing all a green willow
                must be my garland.' MSH. p. 276.
                   171. crownet Q2 'cronet,' F i 'coronet'     Cf.
                A. fcf C. 5. 2. 91.
                   176. lauds (Q2) F1, Cj 1 'tunes'—which nearly all
                edd.read. MSH.pp.71-2. In'snatchesof oldlauds'Sh.
                seems to refer to the laude or vernacular hymns of praise
                sung by wandering bands or guilds of singers in Italy
                from 13th to 16th c, though it is not clear that they were
                ever the fashion in England (v. A. W. Pollard, Old
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