Page 61 - Hamlet: The Cambridge Dover Wilson Shakespeare
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liv                H A M L E T

                the  conversations  between  Hamlet  and  the  two  spies,
                Rosencrantz  and  Guildenstern;  they  clarify  the  whole
                puzzling  situation  after  the  Play-scene;  and  they  add
                surprising force and meaning to one of the most dramatic
                moments in the  Play-scene itself.
                  I  shall be told that had  Shakespeare intended  all this
                he would have made it plainer. The argument really cuts
                the other way. That  Shakespeare did intend it is proved
                by Hamlet's two references to his loss of the crown: the
                one I  have just  referred  to at 3. 4. 99, and the words

                     Popped in  between th'election  and my hopes,
                spoken  to  Horatio  in  the  last  scene.  And  the  fact  that
                these  references  occur  so  late  in  the  play  proves  that
                Shakespeare  did  not  need  to  make  it  plainer,  that  he
                knew his audience would  assume the situation from  the
                start. The  events  and  speeches  of the  first  half  of  the
                second  scene  of  the  play  could  leave  no  doubt  in  the
                minds  of spectators at the  Globe, as they  clearly left  no
                doubt in those of most eighteenth-century  readers. The
                dejected  air  of the  crown  prince, the  contrast  between
                his black doublet and the bright costumes of the rest, his
                strange  and  (as it  would  seem)  sulky  conduct  towards
                his  uncle,  above  all  the  hypocritical  and  ingratiating
                address  of  the  uncle  to  him,  bore  only  one  possible
                interpretation—usurpation; and that Hamlet never men-
                tions  the  subject  in  his first soliloquy  but  reveals  a  far
                more  horrible  wrong  must have seemed to the  original
                audience  one  of  the  most  effective  dramatic  strokes  of
                the play.
                   But  I  shall  be  told  further  that  Denmark  was  an
                elective  monarchy,  as Hamlet's  own  words testify,  and
                that, though  disappointed  perhaps, he had no legal case
                against  Claudius. This  objection  offers  a  pretty illustra-
                tion  of the  dangers  of the  'historical'  method, that is of
                explaining  situations in  Shakespeare  by reference  to his
                hypothetical  sources.  I  say 'hypothetical'  because there
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