Page 94 - Hamlet: The Cambridge Dover Wilson Shakespeare
P. 94

S T A G E - H I S T O R Y     kxxvii
                ing December, at Bath in  1778, at Bristol in  1781 (in a
                version adapted  by Lee from  Garrick's), and at Dublin
                so late  as  1802;  but  she  played  the Queen  only  three
                times, of which only one was in London, at Drury  Lane
                in April, 1796, to the Hamlet of Wroughton, for King's
                benefit, and Ophelia  only twice, at Drury  Lane, for  her
                own benefit, in April,  1786, and at Liverpool in June of
                the same year.
                   In  1785 at Covent Garden  Holman first appeared in
                London   as  Hamlet  (the  elder  Macready  said  that
                Kemble  was  the  Prince,  Holman  was  Hamlet,  and
                Henderson  was  Hamlet  Prince  of Denmark);  and  ten
                years  later  it  was  he  who  was  acting  the  part,  to  the
                Ophelia of Miss Poole, at that theatre when Hamlet was
                once more dressed in the 'Vandyke' style, and  'has ever
                since  been fixed in  costume  of  black  satin and  bugles.'
                In  1796 Mrs  Powell was added to the large number  of
                female  Hamlets  (yet  another  about  this  time  was  the
                Miss Edmead whom Parson Woodforde saw at Norwich
                m  1792).  In  1802  Cooke  failed  in  the part.  In  1803
                Charles Kemble  gave his first performance  of a  Hamlet
                which differed  from all others in being completely mad,
                'an  image,' wrote  his  daughter  Fanny,  'of  a  distracted
                intellect  and  a  broken  heart.'  In  1805  Master  Betty
                entertained  the  town  with  his  Hamlet;  and  in  1807
                C. M. Young, not unworthy  substitute and  successor to
                J. P. Kemble, took up the part, which he played in  his
                fine 'classical' manner until his farewell  benefit in  1832,
                when Macready came to play the Ghost and old Charles
                Mathews,  who  had  been  his  Polonius  at  his  first ap-
                pearance, came back to play it again at his last.  None of
                these  (not  even  Elliston,  who  acted  Hamlet  first  in
                London in  i 804 and, with a strong cast to support him,
                made the tragedy the opening performance  of the rebuilt
                Drury  Lane  on  October  10, 1812)  need detain us long
                from the great event of March  12, 1814, when Edmund
                Kean first played Hamlet at Drury Lane.
                  The  supposition  of the romantic genius type of actor
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