Page 93 - Hamlet: The Cambridge Dover Wilson Shakespeare
P. 93

Ixxxvi             H A M L E T

                of the  character.  He  cut  out a  good  many  of  Hamlet's
                most wild  and  whirling  words to  Horatio  after  the  exit
                of  the  Ghost,  which  the  earlier  players  had  retained,
                and  also  (like  Betterton  and  others  after  him)  of those
                that  follow  the  Play-scene. The  suggestion  is that  of  a
                Hamlet  not  only  sane  but  also not  wildly  excited,  and
                preserving the decorum  of a 'classical' style throughout.
                Of  the  many  small  innovations  much  discussed  by  his
                contemporaries  only  two  have  much  significance.  In-
                stead  of  keeping  his  sword  pointed  at  the  Ghostj  as
                Garrick had, he kept it in his right hand but drooped the
                point  behind  him  and  held  out  his  left  hand  to  the
                Ghost; and on the  Ghost's  disappearance he kneeled to
                it in reverence.  Henderson  so admired  this last that he
                adopted  it  himself.  Perhaps  another  detail  is  worth
                preserving  for  its  dramatic force.  In  the  Closet-scene
                (where he was gentle and respectful to the Queen), when
                lie  Ghost appeared  Hamlet's hand was on his mother's
                arm, his eyes fixed on the  Ghost.  He  did not move his
                hand, and when the Ghost bade him speak to her, he did
                so mechanically without looking at her.
                  In spite of Munden as Polonius, Emery as the Grave-
                digger  and  Harley  as  Osric,  the  representative  cast
                strikes  rather  chill:  Cory, the  King;  Charles  Kemble,
                Laertes;  Brunton,  Horatio;  Murray,  the  Ghost;  Mrs
                Chapman,  the  Queen;  and  Miss  Mortimer,  Ophelia.
                In  the  years  between  1803  and  his  final  performance
                at the time of his retirement in June, 1817, he had G.  F.
                Cooke  twice  for  the  Ghost  and  Pope  now  and  then.
                Listen,  Blanchard,  the  elder  Charles  Mathews,  Suett
                and  Dowton  played  Polonius;  Wewitzer  the  Grave-
                digger, Mrs Brereton and  Mrs Weston the Queen, and
                among  several  Ophelias  Mrs  Charles  Kemble,  Miss
                Kelly  and  Miss  Stephens.  The  researches  of  Mr
                Charles  Beecher  Hogan  (kindly  communicated  to  me)
                have discovered Mrs  Siddons's  'second time  of appear-
                ing' in the character of Hamlet at Manchester in March,
                1777, and  other  appearances at Liverpool in the follow-
   88   89   90   91   92   93   94   95   96   97   98