Page 61 - Homes & Antiques (February 2020)
P. 61

HOMES Brooklyn Brownstone






             Fort Greene, which had been gaining a
             reputation as a creative hub since
             artists started moving there in the
             1980s. The !lm director Spike Lee had
             set up his !lm company there and, as
             Marysia recalls, ‘it was a very cool
             neighbourhood, with a lot of young
             creative people doing cool things. But
             really, nobody I knew lived in Brooklyn
             at that point – absolutely nobody’.
                It was a trip to visit a friend-of-a-
             friend in the area that !nally made her
             drop her preconceptions and fall in
             love with the quiet tree-lined streets of
             brownstones, built in the 1860s. She
             also realised that it was incredibly
             close to Manha"an – just a !ve-minute
             drive from the Manha"an Bridge – and
             as one half of an interracial couple, a
             place where they could feel at home
             – ‘the neighbourhood looked like ‘us’,’
             she says. It was also somewhere in
             which they could acquire a whole
             house, rather than just an apartment,
             and a#er several months of searching,
             they came across the perfect property
             – a four-storey townhouse on one of
             Fort Greene’s loveliest streets.
                ‘The lady we bought the house from
             had lived here for 40 years. She was
             101!’ says Marysia. ‘What was fantastic
             was that, unlike many similar houses,
             which had been chopped up

















                                                                                                                                  CLOCKWISE FROM
                                                                                                                                  ABOVE The house is
                                                                                                                                  painted white throughout,
                                                                                                                                  which provides the
                                                                                                                                  perfect gallery-style
                                                                                                                                  backdrop for Marysia’s
                                                                                                                                  extensive collection of
                                                                                                                                  art and antiques. On
                                                                                                                                  the first floor landing,
                                                                                                                                  an antique runner from
                                                                                                                                  Morocco adds a dash of
                                                                                                                                  colour below a selection
                                                                                                                                  of framed photographs;
                                                                                                                                  a delicate mobile from
                                                                                                                                  MOMA hangs in front of
                                                                                                                                  a painting by Toby Mott;
                                                                                                                                  in the kitchen an inlaid
                                                                                                                                  tray from Lamu, Kenya,
                                                                                                                                  serves as an attractive
                                                                                                                                  informal platter.







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