Page 24 - Art Almanac (February 2020)
P. 24

AND WHAT?








         Ken Bolton and Kurt Brereton


         Jellied Tongue Press

         Ken Bolton and Kurt Brereton
         pose the question, ‘and what?’
         Both interrogative and blasé
         in its delivery, these words                                 AND WHAT ?
         have piqued our curiosity
         about its context; and in turn,
         the contents of this limited-
         edition publication. ‘AND
         WHAT?’ is an intersection
         of art and literature; an
         entertaining mix of paintings,
         drawings, photographs and
         poetic responses to random                      Ken Bolton & Kurt Brereton
         topics, which oscillate
         between creative thought and
         critical opinion. The book
         opens with a garden hose
         shaped in an ampersand, a
         symbol of connection and
         multiplicity. Throughout the
         following pages, Bolton and
         Brereton offer us the ‘what
         for – “where” “why” “how”
         “this”’.


         The work, fragmented yet
         elegantly written, touches
         on philosophy, Modernism,
         art and social history with
         each turn of the page offering
         a new perception, thought
         and invented scenarios
         or conversations. Although filled with printed images and the occasional artwork insert, ‘AND
         WHAT?’ is primarily a playful, lyrical poem. Self-declared ‘trendy “mash it up” art bombers’,
         Bolton and Brereton shout, ‘ENOUGH ART LET’S POETRY’ and direct us to the Poetry section in
         the Dymocks bookstore; fittingly, ‘next to the GAMES and PUZZLES’.


         So, join the game and see if you can connect the dots between cinema, celebrities, musicians and
         artists, social media, life in New South Wales, unironed shirts and cooking, as well as mortality,
         happiness and the term Arcadia repeated throughout the publication. This Fluxus, Mail Art and
         Dada-esque art piece encourages us to ‘place a question mark in front of everything’; to consider
         art as a verb, to think.





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