Page 27 - Art Almanac (February 2020)
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works including painting, sculpture, decorative art and video by contemporary and 19th and 20th
           century artists, alongside a selection of museum curios and natural science specimens. In the
           foyer, Prospero’s Island South West (2016), a large-scale wallpaper work by Melbourne-based artist
           Valerie Sparks, instantly immerses the viewer in a moody seascape of stormy charcoal skies where
           the volatile sea lashes the rocky edifice of a Tasmanian landscape.

           Moving into the gallery dim lighting and dark-ocean-blue walls set the scene for the narration
           of intrepid journeys over wild seas with a selection of early works from the likes of Samuel Prout
           (1783-1852), Oswald Walter Brierly (1817-1894) and James Gillray (1756-1815), to name a few. The
           Nancy Packet (1784) by Gillray re-lives a confronting and fearful scene of the final moments before
           a lifeboat throws its occupants into the sea’s gaping mouth sure to be swallowed whole, never to
           be seen again. In contrast to this vision, on a more tranquil note is Todd McMillan’s By the Sea
           (2004), a 72 sec video documenting a condensed version of the artist’s 12-hour endurance work,
           a re-imagination of 19th century German Romantic landscape painter Caspar David Freidrich’s
           Monk by the Sea (c.1809). This seemingly brief encounter compels a sense of solitude and
           contemplation while standing alone at the edge of the sea.


           The cooled air in the next room permeates a mild arctic chill with paintings by Thomas
           Landseer (1793/ 1794-1880) and Isaac Walter Jenner (1836-1902), where glacial landscapes lend
           awareness to the hostilities of nature and the fate of doomed expeditions to freezing Arctic
           poles. An enormous taxidermy polar bear commands attention at the far end of the room, while
           contemporary artists including Rick Amor, Brett Whiteley, Tamara Dean, Brian Robinson and
           others turn their creative focus to the exploration of human emotion and our interactions with the
           sea’s infinite underwater worlds and delicate ecosystems.

           In the third space an illuminating coral pink ‘grotto’ nurtures an enchanting cabinet of curiosities
           with a vibrant showcase of natural objects, corals, shells, decorative porcelains, sculptures and
           paintings. An exquisite set of violet tinted jewel-like bowls in the form of shells titled Violet
           macchia set with teal lip wraps (1992) by Dale Chihuly, take your breath away. Kate Rhode’s Coral
           vanitas (2008), a sculptural piece composed of red coral adorned with white rabbits and small

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