Page 82 - (DK Eyewitness) Travel Guide - Budapest
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80      BUD APEST  AREA  B Y  AREA

       Exploring the Hungarian                 The Visitation, a magnif icent
       National Gallery                        late Gothic work by Master
                                               MS, is, in fact, only the main
                                               section of an altar; the other
       The works are displayed in six permanent exhibitions and give   pieces are now in the city of
       a thorough insight into Hungarian art from the early Middle   Esztergom (see p168).
       Ages to the present day. Although one-and-a-half centuries
       of Turkish occupation and wartime destruction interrupted the   Renaissance and
       development of Hungarian art, the birth of national pride in   Baroque Works
       the 19th century allowed a new indigenous style to develop.   The exhibition begins with
       Among the most interesting exhibits are the Hungarian   a still life by Jakab Bogdány
       paintings of the late 19th century, when a greater diversity of   (1660–1724) and portraits by
       styles came to the fore. The collection of 20th-century works   Ádám Mányoki (1673–1757)
       includes paintings, prints, drawings and sculptures.  (see p28), who actually settled
                                               outside Hungary. As a result
                                               of the powerful influence
                                               of the Habsburgs during this
                                               pe riod (see pp30–31), Baroque
                                               art was overwhelmingly
                                               domin ated by Austrian artists.
                                               Painters such as Joseph
                                               Dorfmeister and Franz Anton
                                               Maulbertsch and sculptors
                                               Georg Raphael Donner
                                               and Philipp Jakob Straub
                                               were the acknow ledged
                                               masters of the style. Jan
                                               Kupetzky’s portraits are also
       The Habsburg Crypt, with the sarcophagus of Palatine Archduke Joseph  exemplary models of this era.
                                                 The wooden sculptures
                                               by Donner and the sacred
       The Lapidarium      Gothic Works        paintings of Dorfmeister
       On the ground floor, to the left of   A superb collection of painted   conclude this section of
       the main en trance, is a display   panels, sculptures and fragments  the gallery.
       of stone objects dis cov ered   of altar decoration is opposite
       during the reconstruc tion of the   the Lapida rium. Note, however,
       Royal Palace (see p74). Situated   the image of the Madonna of   Late-Gothic Altarpieces
       on the ground floor, under the   Bártfa, which is a rare complete   One of the star exhibits
       south ern yard of the main build­  example from the Gothic period.  of this collection is the
       ing is the Lapidarium, which     The sculptures of the “Beautiful  imposing late Gothic altarpiece.
       includes sculp tures and frag­  Mado nnas” are executed in the   Arranged in the Great Throne
       ments of architectural features,   Soft Style. This style is character­  Room, the majority of these
       such as balu strades and   ized, as its name suggests, by the   vast altarpieces date from
       windows, that decorated the   sentimental and gentle imagery   the 15th and early 16th
       royal chambers during the   of the Madonna playing with   centuries. Architecturally these
       Angevin and Jagiełło eras    the Christ child.  altarpieces are pure Gothic,
       (see p20). It also dis plays
       Renaissance relics. The most
       valuable exhibit, however, is a
       sculpture of King Béla III’s head,
       which dates from around 1200.
         Also in this first section are
       two marble bas­reliefs of King
       Matthias and his wife Beatrice,
       by an unknown Renaissance
       master from Lombardy.
         The second section exhibits
       late Gothic and Renaissance
       artifacts from other palaces in
       Hungary. There are pillars and
       balustrades from the palace at
       Visegrád and bas­reliefs from
       a chapel in Esztergom.  The Great Throne Room, displaying the collection of folding altarpieces




   080-081_EW_Budapest.indd   80                            15/09/16   10:32 am
     Eyewitness Travel   LAYERS PRINTED:
     Flashmap follow-on template    “UK” LAYER
     (Source v1.5)
     Date 7th January 2013
     Size 125mm x 217mm
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