Page 11 - The Strad (February 2020)
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           AUSTRALIAN RULES
           At long last,  e Strad has thrown o the tyrannous
           shackles of New York and London and recognised that
           a thriving concert scene exists in Berlin, Copenhagen and
           most recently Zermatt (Reviews, January 2020). It seems
           overdue for a truly international magazine to be spreading
           its collective ears to further climes; though I notice the
           focus is still Euro-centric. Perhaps in the future, the
           magazine might be prevailed upon to review some of
           the outstanding concerts in the southern hemisphere:
           the Australian Chamber Orchestra’s season —nale in            ɗ        !£-#38  !8=!@ labovem 2!1'& )89; $32$'8;1!9;'8
           November, violinist Andrew Haveron’s Mozart no.5 with                 3(  -'22!  @16,32@ bit.ly/35iGUvp
           the Sydney Symphony, cellist Andreas Brantelid with the
           Elgar Concerto at the same venue. All these sensational
           performances occurred in the past couple of months –
           isn’t it time the Antipodes had a fair slice of the pie?
           ANNA HOFFMAYER
           Sydney, Australia




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                     some readers (but not others) bit.ly/2smkfQj
            COMMENT
                     RICHARD RETTICH I’m going to have to take
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           back a lot of unkind things I’ve said about this man.
                                                                          The Strad, Newsquest Specialist Media Ltd,
           Anyone that supports our children like this deserves our     4th Floor, 120 Leman Street, London E1 8EU, UK
          ACO PHOTO PRUDENCE UPTON. KARVAY PHOTO PETER BRICHTA  JUERGEN GROTHAUS He is brilliant and knows how   
-2& <9 32 
!$'#330    @TheStradMag  Follow us on
           support, whether we approve of his style or not. Bravo.
           VÍCTOR PASTOR It’s the —rst contribution to music
                                                                         £;'82!ধ='£@T '1!-£ <9 !; thestrad@thestrad.com,
           that this guy made.
                                                                         -2$£<&-2+ @3<8 (<££ !&&8'99 !2& 6,32' 2<1#'8W
           to sell that music. Still, with all its perfection it does
           not move me.
           DAVID WHITAKER Marvellous. A lovely example.
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           NICOLAS MIRABILE Still hate him.
                                                                                         >-ħ'8
                                                                                                   the_strad_
                                                                           magazine
           PATRICIA NEWNHAM ¡ere is no room for ‘hate’ in the
           world of music. ‘Disapproval’ yes, not hate.
           VAL JASKIEWICZ Seems like snobbishness is still very much
           a ‘family value’ in my beloved classical violin community.
                                                                      2(38;<2!;'£@ >' !8' <2!#£' ;3 !$023>£'&+' <26<#£-9,'& 9<#1-99-329W
                                                                                                  FEBRUARY 2020 THE STRAD    11
           www.thestrad.com                                          ' 8'9'8=' ;,' 8-+,; ;3 9,38;'2 38 '&-; £'ħ'89T !2& ;3 6<#£-9, ;,'1 32£-2'W
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