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           FRANCE  CATHEDRAL A ND
                   6 ~[J~VJZE 0
                          ITALY


                         TYRRHENIAN
                           SEA
           MEDITEIIf<ANEAN SEA
                                     IONIAN
                                      SEA


         THE  CATHEDRAL WORKS MUSEUM
          Th1 s  1nform  ative museum consists of a  senes of
         rooms dedicated to the history of the cathedral.
          The  main ground floor room contains statues
         from Arnolfo di Cambio'sworks hop, which
          once occupied the cathedral's niches.  Nearby is
          Donatello' sSt. John, and Michelangelo's  Pi  eta
          can be seen on the staircase. The upperfloor
          conta1ns tm  choir lofts from the 1430s by Luca
          della Robbla and Donatello. The haunting
         statue La Maddalena is also by Donatello.


          EAST DOORS OF THE BAPTISTRY
         Lorenzo Ghiberti's famous bronze Baptistry
         doors were commissioned in 1401 to mark the
         city's deliverance from the plague. Ghiberti
         was  chosen for the project after a  compe tition
          involving seven leading artists  of the day,
          including Donatello, Jacopo della Queroa, and
          Brunelleschi. The trial panels by Ghiberti and
          Brunellesch1 are so different from the florentine
         Goth1c art of  the time, notably in the use of
         perspective and individuality of figures, that
         they are often regarded as the first works of
         the Renaissance. Michel  angelo enthusiastically
         dubbed the East Doors the "Gate of
         Paradise." Ghiberti worked on them from  1424
         to 1452, after s pending 21 years  on the North
         Doors. The original relief panels are now on
          display in the Museo dell' Opera del Duomo.

          BRUNELLESCHI'S DOME
         A stunning feat of  technical as well as art1stic
         skill, the cathedral's dome is the epitome
         of Florent1ne Renatssance arditecture
         (Renaissance St:yle, see p.131). Construction
         took more than 14 years, and only began
         after a  lengthy period of planning and model-
         building, during which the dome's architect,
         Filippo Brunelleschi (1377-1446), worked hard
         to convince the sceptics that the project was
         feasible.  At one point, he even built a  large-
          scale model by the river to demonstrate that
         the oome was techlically achievable  The dome
         spans 140ft  (43 m) and is not buttressed,
         mstead, a  double wall of spirally laid bricks
         was strengthened by the use of stone chains.
         Desp1te his brilliance as an engineer and
         architect, Brunelleschi was not made chief
         architect until 1 445, a  year before his  death.
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