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Sydney Opera House
     224  AUSTRALASIA

                                                     No other building on Earth looks like Sydney Opera House.
                                                     Popularly known as  the "Opera House"  long before the
                                                     building had  been  completed, it is, in fact, a complex
           INDIAN                   CORAL
           OCEAN                     SEA             of theaters,  studios,  and  music venues lin  ked  beneath its
                                                     famous roofs, or "shells." The building's birth w as long  and
                     AUSTRALIA
                                                     complicated.  Many of t he construction problems had  not
                              SYDNEY                 been faced  before,  resulting in  an  architectural adventure
                          CP~RA  HOUSE
                               nberra•               that lasted 14 years.  A n appeal fund was set up, eventually
                                • M2100urhQ
              SOIJTH£RN OCEAN                        raising AU$900,000, while the Opera House Lottery raised
                                                     the balance of the AU$102  million final cost.  Today, the
                                                     Opera House is Sydney's most popular tourist attraction, as
         DESIGN AND CONSTRUCTION
                                                     w ell as one of the world's busiest performing arts centers.      Advertising poster
         In 1957, the Danish architectJ0rn Utzon won
         the international competition to design Sydney
         Opera House. He  envisaged a  living sculpture   BACKSTAGE
         that could be viewed from any angle, on land,                                                     ~ Opera  Theater
                                                      Artists performing at S ydne y Opera
         air, or sea. It was boldly conceived, pos ing
                                                      House have the use of five  rehears al
         architectural and engineering problems  that   studios, 60 dressing rooms,  suites,   Opera Theater
         Utzon's first sketches did not solve. When   and a green room complete with a   Ceiling and Wall s
                                                                                        These are painted black,
         construction began in 1959, the  intricate   bar, lounge, and restaurant. The
                                                                                        to focus the audience's
         deSig'l proved impossible to execute and had   scene-changing machinery works on   attention on the stage.
         to be greatly modified. The proJect rema1ned   well-oiled wheels-crucial in the Opera
         so controversial that Utzon resigned 1n 1966   Theater, where there IS often a
                                                      nightly change of performance.
         and an Australian design team completed the
         intenor Howe ver, he was reappointed as
         a cons ultant. to de velop a set of guidelines
         for any future alterations to the building.

         ROLE AND SIGNIFICANCE                       ~  The Possum Dreaming
         Sydney Opera House is instantly recogn1zable
         around the world.lt is managed by the Sydney
         Opera House Trust, which is  responsible for
         ma1nta1ning its high status  as  Australia's mam
         cultural landmark and performing arts center
         The building IS one  of the wor1d' s  most
         renowned architectural marvels and has  won
         nume rous  awards, including the prestigious
         Top T e n Construction Achievements of the
         20th Century award in 1999. An e s timated
         4.4 million people  visit the Opera House  e very
         year, 75 percent of whom go just to look
         around the  magnificent structure

         THE THEATER AND HALLS
         Underneath the ten spectacular, sail~ike roofs
         of varying planes and textures lies  a maze of
         more  than 1,000 rooms of all shapes  and sizes
         showcasing different events. The  Concert Hall
         is  decked out in native white birch and brush
         box (hardwood timber)  The Dr  am  a Theater
         s tage is  49 ft (1 S  m) square, and can be clearly
         viewed from every seat in the auditorium.
         R efrigerated aluminum panels in the ceiling
         control the temperature.  F ine Australian art
         hangs 1n the Playhouse foyer, notably Sidney   ~ Opera House Walkway
         Nolan's Uttfe Shark (1973) and a  fresco by   Extensive public  walkways
                                                     around the building offer
         Salvatore Zofrea (1992-3). lhe Opera Theater
                                                    visitors views from many
         1  s  the second largest verue and hosts  laVIsh   different vantage points.   ~  Northern Foyers
         opera  and dance performances. The theate r's
         proscenium opening is  39 ft (  12 m) wide, and
         the stage  extends  back 69ft (21  m)
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