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FRANCE  57




                                                                  Napoleon divorced Josephine in
                                                                  1809 because she was unable to
                                                                  bear him children. A diplomatic
                                                                  marriage was arranged in 1810
                                                                  with Marie-Louise, daughter of the
                                                                  Austrian emperor. Napoleon wanted
                                                                  to pass through the Arc on the way     BAY OF
                                                                                                         BISCAY
          Thirty Shields                                          to  the wedding at the Louvre, but             •  Bordeaux
          Just below the top of the arch                          work had barely begun. So Chalgrin                   Marseille•
          is a row of 30 shields, each of                         built a full-scale model on the site
         which carries  the name of a                             for the couple to pass beneath.          SPAIN          MEDIT£ RRANEAN
                                                                                                                             SEA
         victorious Napoleonic battle.                            Napoleon with his new wife
                                                                                                      CARVED RELIEFS
                              East fa~de                   Viewing Platform                           The west fa<;ade of the arch is adorned with
                                                           The top of the arch, reached
                                                           via  an eleva tor or by eli mbing          colossal rei iefs.  1he Resistance of the French in
                                                           the 284 steps, affords one of              1814 is depicted on the right. Here, a soldier
                                                           the best views in Paris.                   defends his family and is encouraged by the
                                                                                                      embodiment of the future. The Peace of 1815,
                                                                                                      on the left, shows a man, protected by Minerva,
                                                                                                      Goddess of Wisdom, returning his sword to
                                                                                                      its scabbard. These reliefs are by the sculptor
                                                                                                      Antoine Etex. Above them are two bas-reliefs.
                                                                                                      The left frame depicts the Capture of Alexandria
                                                                                                      ( 1798), as General Kleber urges his troops
                                                                                                      forward.  The right frame shows the Passage
                                                                                                      of the Bridge of Arcola (1796), with Napoleon
                                                                                                      advancing against the Austrians. The south
                                                                                                      fa,.ade details the Battle of Jemmape; (1792).
                                                                            Battle of Austerlitz
                                                                            Another battle victory is
                                                                            depicted on a frieze on   THE BATTLE OF AUSTERLITZ
                                                                            the north side of the     Napoleon commissioned the arch in 1806
                                                                            arch. Napoleon's army is   to honor his soldiers, who had achieved a
                                                                            seen breaking up the ice   masterful victory at the Battle of Austerlitz in
                                                                            on Lake Satschan---a
                                                                            tactic that led to the    1805. Heavily outnumbered, Napoleon led
                                                                            drowning of thousands     the Allies to believe that his army was weak
                                                                            of enemy troops.          and successfully lured them into a vulnerable
                                                                                                      position. Fierce battle ensued, forcing the Alii es
                                                                                                      to retreat across frozen Lake Satschan in Austria.
                                                                                                      It is believed that Napoleon's army fired on the
                                                                                                      ice in an attempt to drown the fleeing enemy.
                                                                                                      The armies of Russia and Austria, members of
                                                                                                      the Third Coalition alliance against France in the
                                                                                                      Napoleonic Wars, were destroyed.


                                                                                                      NEO-CLASSICAL STYLE
                                                                                                      The power, might and learning of Western
                                                                                                      Europe was represented in the 18th and the
                                                                ----+-- Offi<ers' names               first half of the 19th centuries by architecture
                                                                            The names of 558 French   inspired by that of ancient Greece and Rome.
                                                                            genera Is of the Imperia I
                                                                            Army are engraved on the   The traditional principles of the Classical style
                                                                            inner face of the arch.   were extended and adapted as the culture of
                                                                                                      the ancient world was increasingly revealed,
                                                                                                      documented and disseminated. This new
                                                                                                      Classicism was seen as an ideal match for the
                                                                                                      ambitions of the powerful European states,
                                                                                                      whether autocratic or witnessing the birth
                                                                                                      pangs of democracy, and also of the young
                                                                                                      United States of America. The Neo-Classical
                                                                                                      style is defined by elaborate detai Is and a refined
                                                                            ~ Departure of the        sense of proportion  hallmarks of ancient
                                                                            Volunteers in 1792
                                                                                                      Classical architecture that could be adapted
                                                                                                      for every conceivable purpose.
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