Page 104 - Star Wars Insider (Special Edition 2019)
P. 104

A HEROINE’S









                  JOURNEY













                  REY’S ADVENTURE BEGINS



                    USING THE OPENING ACT OF REY’S ADVENTURE INTHE FORCE AWAKENS, TRICIA BARR CONTINUES HER
                                                EXPLORATION OF THE HERO’S JOURNEY.


                    n a January 2013 tweet, Slashfi lm’s Peter                       audience recognizes because we have
                    Sciretta posed a question: “Who said the                        seen it before.
                    lead character in Star Wars: Episode VII                          That is how storytelling works best:
                 Iis going to be a male star?” The internet                         threading together familiar elements to
                  reacted. In some circles very enthusiastically,                   form a new experience that moves us
                  in other places not so favorably. Speaking                        emotionally. This is why no words are
                  shortly after the opening of The Force                            needed in the early part of The Force
                  Awakens, screenwriter Michael Arndt                               Awakens, where Rey moves about in
                  confirmed that the earliest story pitch from                       her AT-AT home. A young woman eating

                  Kathleen Kennedy had been an “origin story                        alone, countless etchings on the wall to
                  of a female Jedi.”                                                mark the passage of time, a free moment
                    Storytelling is an organic process, which                       spent leaning against the foot of a weapon
                  often involves running toward an idea you                         of war: These brief glimpses all suggest
                  love only to watch it blow up magnifi cently                       a very particular life, not heroic, but

                  or fizzle into an ignominious nothingness.                         completely human, inspiring empathy
                  Arndt has also noted that his earliest                            and understanding in the audience.
                  versions of the script involved Luke joining                        The earliest storytellers were limited
                  Rey’s journey earlier in the movie, but that                      by the amount of time the audience was
                  “any time Luke showed up, it suddenly                             willing to invest in listening, and perhaps
                  became his movie.” And that was not                               their own ability to keep talking. The earliest
                  the story he, Lawrence Kasdan, and J.J.                           writers were limited by resources: immobile
                  Abrams wanted to tell. Kasdan himself                             cave walls and stone tablets, then portable
                  said, in a 2015 interview with Vanity Fair,                       papyrus, which had to be manufactured
                  that screenwriting requires a willingness                         by hand. The dawn of the printing press
                  to “kill your darlings”—and if Abrams’                            saw the first stirrings of mass production,

                  ‘darling’ was a story featuring Luke                              leading to the explosion of the mass
                  Skywalker, then the creative discovery that                       media in the 20th century. Mythologist
                  brought Rey’s journey into focus was that                         Joseph Campbell studied storytelling
                  Luke was not a companion on that journey,                         across this vast history and distilled the

                  but the device or “MacGuffin” that drove it.                       framework of myths down to common
                                                                                    thematic beats in his 1949 book, The Hero
                  THE ART OF STORYTELLING          In Return of the Jedi, C-3PO sits before   With A Thousand Faces.
                                                                                      George Lucas made explicit reference
                                                   the Ewoks, gesturing with his golden
                                                   hands as R2-D2 produces various sound   to Campbell’s “monomyth” structure
                  Though art constantly aspires to break   effects. The scene represents the ways in   when conceiving Star Wars, and established
                  the mold, there are fundamental guiding   which the earliest stories were told, and—  that the concept could be applied to
                  principles that help make artworks in   though we don’t speak Ewok—the droid’s   moviemaking in the same way as it applied
                  any format understandable and relatable.   visuals and sounds form a story that the   to oral storytelling and prose. Given the


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