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to save him. Her “Refusal of the Call” comes   as “Supernatural Aid.” Vogler’s update   “The Crossing of the Threshold,” occurs
                as she rebuffs BB-8’s attempts to team up   reflects the fact that modern mythmaking   with the help of the mentor. This is the

                with her. Vogler describes the “Refusal of   doesn’t necessarily need divine intervention   point where Rey fully commits to the
                the Call” as being based in fear, and Rey’s   or supernatural beings. (Marvel’s The   adventure that was offered when she
                fear is of making personal connections  Avengers, for example, inverts the trope   responded to BB-8’s initial cries for
                —as seen again later when she rips her   by having mortal Nick Fury mentor demi-  help. Like Luke agreeing to accompany
                hand away from Finn’s.          god Thor.)                       Obi-Wan to Alderaan, Rey steps past her
                  The next step, “Meeting with the   In The Force Awakens, Rey’s mentor   reluctance to leave behind her ordinary
                Mentor,” was originally named by Campbell   is Han Solo. Before she meets him,   life (even when she initially agrees to go
                                                though, she experiences Campbell’s   with BB-8, she insists that it will only be
                                                “Belly of the Whale,” a literal swallowing   a brief distraction from her daily cares)
                                                into the unknown as the ship she has stolen,   and accepts the path of the unknown.
                                                the Millennium Falcon, disappears inside   It is at this stage that Vogler’s take
                                                a massive space freighter. In A New Hope,   on the Hero’s Journey and Campbell’s
                                                Luke has already teamed up with his   original begin to diverge signifi cantly.
                                                mentor, Obi-Wan Kenobi, when he enters   After the first act, Rey’s path takes her

                                                the bowels of the Death Star. The lesson   to Takodana, where she encounters
                                                here is that, for all its seeming rigidity,   archetypal “Tests,” “Enemies,” “Allies,”
                                                the Hero’s Journey remains fl uid, and   and a character-defi ning “Ordeal.”
                                                the monomyth structure merely a guide.   Campbell’s model focuses on both the
                                                Rey meets Han inside the Belly of the   transformation this brings and the
                                                Whale, where her mentor imparts his   reintegration back into the ordinary world
                                                knowledge—in this case his non-Jedi’s   that follows. However, Vogler dispenses
                                                understanding of the supernatural forces   with the reintegration and makes his
                                                at work in the galaxy. Mentors often pass   version all about the excitement of the
                                                along a talisman to use on the heroic quest,   silver screen: After the hero transforms,
                                                and for Luke this was his father’s lightsaber.   they race headlong into a rollercoaster
                                                For Rey, it could be seen as the blaster   ride of danger and exhilaration until the
                                                Han gives her on Takodana, or it could   story reaches its climax.
                                                be the Millennium Falcon itself, passed   Where Rey’s story differs most
                                                on in stages throughout the story.  importantly from the classic monomyth,

                                                  The final stage of Vogler’s fi rst act,   though, is that, within the context of the
                                                                                 movie, she is no one important. Unlike
                                                                                 Luke Skywalker, she isn’t identifi ed as
                                                                                 the son of a Jedi hero, and she isn’t shown
                                                                                 with a supernatural guardian who has
                                                                                 been living nearby. Counter to most myths
                                                                                 and stories studied by Campbell, Rey isn’t
                                                                                 introduced to the audience as “chosen.”
                                                                                   The similarities between the two
                                                                                 models and Rey’s own journey show
                                                                                 that the foundation for creating compelling
                                                                                 heroes hasn’t changed much over the
                                                                                 centuries. But the differences prove there
                                                                                 is still innovation and excitement to be
                                                                                 had as we update our notions of just who
                                                                                 those heroes can be. a



                                                                                    MORE TO SAY

                                                                                   Tricia Barr is the co-author of Ultimate
                                                                                   Star Wars and host of the popular Star
                                                                                    Wars podcast Fangirls Going Rogue.
                                                                                   Follow her on Twitter @fangirlcantina.

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                                                                                                         INSIDER 109





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          SWI2019_104_109_Rey_part2.indd   109                                                                 30/10/2018   12:32
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