Page 288 - The Rough Guide to Myanmar (Burma)
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286  MANDALAY AND AROUND MANDALAY PALACE

          THE MANDALAY COMBINATION TICKET
          A number of sights in and around Mandalay are covered by the Mandalay Combination
          Ticket (K10,000), valid for five days – unfortunately, it’s not possible to purchase individual
          tickets to the sights it covers. The relevant section of the ticket is stamped at each sight
          you visit, meaning it can’t be re-used. The main attractions covered by the ticket are
          Mandalay Palace and the Maha Aungmye Bonzan and Bagaya Kyaung in Inwa. In
          theory you’ll also need the ticket to visit Kuthodaw Pagoda, Atumashi Kyaung,
          Shwenandaw Kyaung and (in Amarapura) Bagaya Kyaung and to walk across U Bein
          Bridge, although in practice the ticket isn’t always asked for at these places (and seemingly
          never at U Bein Bridge).

        establishing his capital here in 1857. The palace followed a traditional design
        informed by links with China – much like Beijing’s famed Forbidden City – with
        a geometrically auspicious alignment of buildings set inside crenellated walls and
    7   surrounded by a broad moat. The huge walls themselves (3m thick, 7m high and
        8km in length) are punctuated by 36 bastions and twelve gateways, symbolizing the
        signs of the zodiac. Five-tiered pyatthat (spire-style roofs) are placed above each of
        the bastions and gates, with the exception of the four main gates (one on each side),
        through which the king himself would have passed and which are surmounted with
        seven-storey pyatthat – the number of tiers on a roof signifying the status of the
        person using the building below.
         Despite the effort put into building the thing, only Mindon and his successor Thibaw
        had the chance to rule from here before the latter was overthrown by the British (who
        rechristened the palace Fort Dufferin and billeted troops in its former royal quarters).
        Even worse was to follow in World War II, when almost the entire palace was flattened
        by Allied bombs. What you see today is a 1990s reconstruction carried out by the
        military, who have long controlled the complex.
         As a military area the palace grounds are mostly off-limits to foreigners, save for the
        reconstructed palace and the main approach road in from the east – frustratingly, the
        only direction from which foreigners are allowed to enter. There are a couple of low-key
        shops and teashops along the approach road, but no other sources of refreshment.
        Above the eastern entrance a sign states: “Tatmadaw and the people, co-operate and
        crush all those harming the union”, and the army enhance their already stellar
        international reputation by insisting that foreign cyclists leave their machines at the
        gate; tour buses, of course, get to head straight to the centre.
        The palace
        The palace itself is more impressive as a whole than for any particular part, and many
        of the smaller buildings are no more than empty shells, giving the whole place the feel
        of a rather opulent film set. A spine of reconstructed ceremonial halls runs down the
        centre of the complex, with signs stating what each was used for (complete with
        bombastic references to the cannons which “can crush all enemies”, and other such
        details). Starting from the east is the Mye Nan Audience Hall (signed “Great Audience
        Hall”), which contains then-and-now pictures attesting to the accuracy of the
        re-created palace, along with a replica of the king’s famous Lion Throne under a
        seven-tiered pyatthat roof. Another richly decorated throne stands in the impressive
        Throne Room (signed “Central Palace”) slightly further along, placed beneath a high
        wood roof supported by soaring red columns.
         At the western end of the palace is the Glass Palace (signed “Chief Queen’s
        Audience Hall”), named after a glass bed brought from France by King Thibaw.
        The palace now houses a small museum (closed for renovations at the time of
        writing) containing the rather impressive bed itself, along with a series of
        elaborate traditional costumes.
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