Page 18 - Guitar Classics Magazine - The Les Paul Bible 2019
P. 18

THE ORAL HISTORY OF THE LES PAUL












                                                                       “Mary came down. He says: ‘Play this, Mary, I want
                                                                       to hear and see what you think of it.’ She took it and
                                                                       played it, and she said: ‘I love this.’ Les said, ‘Let me
                                                                       have it,’ and he played it some more, and he turned
                                                                       to Mary and said: ‘Look, they’re getting too close to
                                                                       us, Mary, I think we ought to join them. What do you
                                                                       think?’ She says: ‘I like it.’”

                                                                       Les Paul
                                                                       “It was a lat-topped guitar at that time, it was not an
                                                                       archtop. I designed everything on there except the
                                                                       belly, the arched top. I had a lat-top. I sat there with
                                                                       Maurice Berlin at CMI, and he said: ‘You know, I like
                                                                       violins.’ And he took me through his vault and showed
                                                                       me his collection, and he says: ‘Would you consider
                                                                       making it in an archtop?’, and I said I’d love it. He
                                                                       said: ‘Nobody else – Fender, nobody else – can do that,
                                                                       and we have the facilities to do it.’ So I said: ‘By all
                                                                       means, let’s do it.’ So we made them.”

                                                                       Ted McCarty
                                                                       “Les had taken his Epiphone and had made a lot of
                                                                       changes to it, put some pickups on it that he had
                                                                       made. I had been after him for a couple of years,
                                                                       trying to talk him into Gibson, hadn’t been successful.
                                                                       So I said: ‘That’s what we want to do, we want to call
                                                                       this the Les Paul model.’ I told him that we would
           “I SAID: ‘I’VE GOT SOMETHING HERE,                          pay him a royalty. I’m not an attorney, and nor was
                                                                       Phil Braunstein, nor was Les. So we started making
             LES, THAT I’D LIKE YOU TO SEE.’ WE                        a contract. And I have a theory about contracts. The
                                                                       more simple they are, the better they are. If you have
            HAD AN AMP AND WE HOOKED THIS                              ive pages of gobbledegook, what I call ‘boilerplate’,
                                                                       you hire a smart lawyer and he’ll ind loopholes in it.
                 GUITAR UP. HE PLAYED IT – AND                         A simple one, anyone can understand. So we started
                                                                       out on it, irst thing we did was write out how much
             HE PLAYED IT AND HE PLAYED IT…”                           we would pay him per guitar.
                                                                         “We agreed it all that night. So I came back to the
                                                                       factory and now we had a Les Paul model. I’d been
                                                                       trying to get Les to let us make him a guitar for years,
       FACING PAGE LEFT The Log –   MAKING THE DEAL                    with no success, but we inally had something that he
       Les Paul’s original prototype  Ted McCarty                      liked. So then we started to produce them.”
                            “Les and his group were at a hunting lodge in
       FACING PAGE RIGHT
                            Delaware Water Gap, which is up in the mountains    GOLDTOP/CUSTOM/BURST
       This beautiful ’59 Burst was
                            in Pennsylvania. I had been talking to Les by phone,   Ted McCarty
       the inspiration for Gibson
                            and I talked to Phil Braunstein, his inancial manager,    “We did the gold inish because it covered the
       Custom’s 2016 Minnesota
                            a New York accountant. So I made a date with Phil,   blemishes in the wood, the cosmetic appearance.
       Burst, 39th in a series of
       painstaking recreations    lew into New York, had breakfast, got in his car, and    If it was maple [like the later Burst], it had to be
       of storied instruments  I had this [prototype] guitar with me.   iddleback maple, had to be perfect, couldn’t have
                              “It was an all-day drive from New York down    any blemishes, couldn’t have any mineral streaks in it.
       FACING PAGE BOTTOM The
                            there, we got there at night, pouring down with rain,    But we used to cover it up with that [gold] paint.
       lack of ingerboard binding
                            a miserable night. “I said: ‘I’ve got something here,    “We added the Les Paul Custom just to have
       and the diagonal bridge pickup
                            Les, that I’d like you to see.’ We had an ampliier    another one. You have all kinds of players out there
       height-adjustment screws
       denote that this now-heavily   and we hooked this guitar up to it. He took it, and    that like this and like that. Chevrolet has a whole
       modded 1952 Goldtop model    he played it – and he played it and he played it.    bunch of models, Ford has a whole bunch of models.
       is one of the irst ever made  There was this balcony upstairs with bedrooms   And there was a good reason for it. We were having
                            leading off it, and Mary Ford was upstairs, so he   more and more of a problem getting real good clear
                            hollered up: ‘Mary, come down here, I want you    mahogany from Honduras. We’d get mahogany and
                            to see this.’                              it’d have streaks in it and whatnot. So that Les Paul
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