Page 27 - Guitar Classics Magazine - The Les Paul Bible 2019
P. 27

REVIEWS




























































           This guitar’s major departure from vintage   So which does Mat prefer? “Honestly, I believe you   ABOVE For 2019, Gibson
          specifications is, of course, the absence of a Brazilian   can’t go wrong. Indian and Bolivian are both great   has revoiced the guitar’s
          rosewood fretboard. Gibson has only been able   choices. No one has detected any tonal differences,   controls for a more
          to source very limited quantities of high-quality   as far as I know. I would expect maybe a little less   authentic range of tones
          Brazilian rosewood in recent years and none of it    compression and more clarity out of the Bolivian
          has shipped overseas since 2003. It isn’t even a   because of the density. But we’re talking about
          custom option for US customers and is only made   splitting hairs here.”
          available in limited runs.                  At the fretboard edges, the binding is thin and the
           However, there are two options for fretboard   fret nibs are suitably understated, while the side dots
          material when it comes to 2019’s R9 – Indian and   are tortoiseshell, as they were in the 1950s. Even
          Bolivian rosewood. Thanks to CITES, many of us   with a 3D scanner recording hundreds of points all
          have been forced to become armchair experts on   over the neck of a vintage guitar and that data being
          Dalbergia latifolia, but our review guitar’s Bolivian   used to program a CNC machine, the hand-sanding
          ’board – with its smooth finish, dark-brown hue and   that takes place after the automated carve means that
          far less noticeable pores than Indian or Brazilian   there will always be slight variances. The ‘Carmelita’
          rosewood – requires further investigation.   neck profile here feels just about perfect, with its
           “Bolivian rosewood is essentially pau ferro from   appealingly soft shoulders and a 22.3mm first-fret
          Bolivia that has been sorted and processed in Brazil   depth filling out to 25.1mm at the octave.
          and selected for its visual characteristics,” reveals
          Mat. “It’s dark and dense, unlike some pau ferro you   IN USE
          see out there. The reason we offer it as an option is   What are we looking for from a great Les Paul?
          because it’s export-friendly in the current CITES   Although there’s a hell of a range when it comes
          climate and it’s a great fingerboard wood to use.   to musical reference points, our dozen or so
          It’s actually a little closer density-wise to Brazilian   meaningful encounters with real Bursts have
          rosewood than Indian rosewood.”           revealed more similarities than differences. One

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