Page 101 - Hi-Fi World (January 2020)
P. 101

OPINION






                                     "Their 1962 UK tour was


                                     supported by a bunch of



                                       kids called The Beatles"






                                                                                                     Paul Rigby

                     ’ve touched on the notion of      Trouble is, because we live      Another major part of The
                     influence before in past col-  in a society dominated by short-  Beatles (and The Yardbirds, Lulu
                     umns. You see it all around   termism, sound-bite media and   plus others) was the work of the
                     when new singers name-  restricted attention spans, our   Isley Brothers (‘Just One Mo’ Time/
                     check their heroes and talk   sense of truth, context and worth   Singles As & Bs, 1960-1962’). Their
                I about how this or that sing-  is often buried, subsumed and   song, ‘Twist and Shout’ was a major
                er or band influenced their career   mutated so you don’t have to be a   event in rock and the career of
                or current style. When an influence   blind fan-boy/girl to view a popular   The Beatles.
                is noted, unless that person is aged   musical artist in such a way.      In fact this band – which would
                around the age of 12, it tends to      OK, I’m not asking you to   span not only decades of time but
                be a famous person of 60s vin-  take a night-school course on the   generations in terms of the group’s
                tage who is quoted as the giver   history of the Beatles (although   line up – bestowed influence and
                of knowledge: The Beatles, Stones,   I wouldn’t mind attending such   was influenced at the same time.
                Dylan, Hendrix and the rest.   a thing, I have to add) but we all   While British creatives were
                   The issue I have with this   must be aware that, as the old   feeding off the talent of the Isleys,
                frame of reference is this. Despite   saying has it, ‘there’s nothing new   a certain Jimi Hendrix (then Jimmy
                the undoubted talents of all of   under the sun’.        James) was honing his technique as
                the above mega-stars, despite the      All of the above figures learned   part of the Isley’s touring outfit.
                changes they all brought upon   from others. They were moulded      The Isley Brothers would
                music and how they moved their   by others. They blatantly stole   evolve and transform from an
                particular fields forwards, there is   from others (in the nicest possible   R&B/Motown-a-like band to a
                a danger that we see all of these   way, of course) and without   brilliant funk combo in the early
                names as some sort of source. Like   these ‘others’ they would have   seventies and they did that with a
                a turntable.                had no chance as creative artists   certain amount of influence from
                   There are many music fans out   themselves.           Jimmy Nolen (‘Strollin’ with Nolen
                there that see these musical greats      Such influences are   - Hot Guitar, 1953-1962’) who was
                as a Year One. That everything   everywhere. My latest jiffy bag of   known as the father of the funk
                they did was perfectly sculpted,   CDs from Jasmine Records (www.  guitar. In fact his work backing
                that their output was unique and   jasmine-records.co.uk) had no   James Brown was significant. ‘Papa’s
                emerged from their respective   trouble in offering four. There were   Got A Brand New Bag’ wouldn’t be
                brains in some sort of artistic Big   only four in the envelope too. So I   the same without him.
                Bang. When that’s really not the   didn’t even try to filter. Which goes      Meanwhile, everyone was
                case.                       to show how powerful was the   influenced by Bob Diddley (‘Say
                   No blame is attributed to   influence of older artists on the   Man, Back Again - The Singles As &
                the great names above, of course;   whippersnappers of the 60s. Talent   Bs, 1959-1962 Plus’). A man who
                it’s not their fault. But there is   was everywhere. It was ubiquitous.   expanded the use and realised
                an assumption by many fans and      Even little-known characters   the potential of the electric guitar.
                music enthusiasts that these names   like Bruce Channel (‘Hey! Baby   His energetic style also set the
                effectively leapt forth from the soil,   - The Early Years 1959-1962’) were   tone for axemen to come. Again,
                fully formed.               critical. His mid-tempo, 1962 No.1   Hendrix would have been a pale
                   I see this line of thought all   hit spanned rock, country, blues   imitation of his future self without
                of the time on social media. If   and more. It featured Delbert   Diddley while The Rolling Stones
                you ever visit a Facebook Group   McClinton on harmonica. During   based their attitude on the man.
                devoted to a singer or band, for   their 1962 UK tour, they were   The Yardbirds, Animals...even Buddy
                example, the people within will   supported by a bunch of kids called   Holly referenced Mr Diddley.
                treat them as god-like figures   The Beatles and one John Lennon      Bottom line? If you have a
                who did no wrong, can do no   was madly in love with McClinton’s   musical hero. No matter what time
                wrong and everything they said   style. To such an extent that he   period you care to pick. Five will
                was tantamount to holy scripture.   copied it for the band’s debut hit,   get you ten that they’re a complex
                That’s understandable and ’twas   ’Love me Do’ and many others   amalgam of those who came
                ever thus.                  after that.                  before.

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