Page 52 - Hi-Fi World (January 2020)
P. 52

REVIEW




                               in total. Chord Electronics exclusively   provided hi-res and DSD replay, again   Safri Duo’s 'Samb Allegro' – tremen-
                               use switch-mode supplies and are   connected by the supplied USB cable.   dously fast but punchy bass. It
                               happy with them, even though      I started off with high dynamic   seemed perfectly timed and I heard
                               they are shunned by many others.   range (uncompressed) rock from CD   texture where I had not before, here
                               To compensate for any possible   and with Nils Lofgren singing 'Keith   in the synth kick-drum beat that
                               limitations in supply transient   Don’t Go' got quite a shock. It was   underpins the track so dramatically.
                               behaviour ’super capacitors’ are fitted   obvious straight away that this DAC      Modern hi-res recordings such as
                               to store charge within the unit.   has the company’s trademark sound   Marta Gomez singing 'Maria' (24/96)
                                  And finally to the power   – but supercharged. In basic character   bettered CD in obvious fashion by
                               amplifier potential of Hugo TT2.   think crystal clear and vividly   fleshing out a performance with
                               Hugo TT2 produces 20 Watts from   insightful, with no hint of warmth.   more intense inner detail – making
                               its XLR outputs. However, it doesn’t   There was an airy spaciousness to   CD sound a tad barren by way of
                               have the heat sinking or devices to   the sound, made more apparent   contrast. With this superb recording,


























                                 At left, twin BNC output sockets (for future products). Next along, two large XLR socket outputs
                                 flanked by phono-socket outputs. Then come twin BNC digital inputs that together form a DBNC
                                 input. At right are TOSLINK optical inputs and a USB B computer connection.


                               produce such power on a continuous   by a very broad soundstage where   images were hewn from stone with
                               basis. It works fine and goes loud,   the audience yelped and shouted   clear space between them – and a
                               but very loud will overheat (there   from hard left to hard right in lively   vivid dynamic all but defining what
                               are protection circuits). Small   fashion, yet they were clear of the   high-fidelity must be.
                               loudspeakers are insensitive so   vocals with well-identified distance.      Fleetwood Mac’s 'Dreams'
                               expect lower volume – but they will   This sense of dimensional resolution   (24/96) – a hi-res transcription from
                               work well enough on a desk where   with hard images on a wide yet firm   an old analogue master tape (1977)
                               speakers are close to your ears.
                                                            "breathtaking clarity, giving a
                               SOUND QUALITY
                               I used Martin Logan ESL-X hybrid   starkly clear and concise sound
                               electrostatic loudspeakers driven by
                               a Creek Evolution 100A amplifier   unmatched elsewhere.
                               via its direct XLR inputs (no volume
                               control) through Chord Company
                               Epic XLR cables. Loudspeaker cables   canvas remained throughout my   – hit me with a dramatic start from
                               were Chord Company (not Chord   listening. Lofgren’s rapid finger-picking   Mick Fleetwood’s drum kit that
                               Electronics; they are different and   was super clear, with better timing   had surgical punch – but some of
                               unrelated companies) Signature UL   between fine details from the strings   the cymbal crashes were too well
                               cables. The unit was run in Amp   than I have ever heard, giving a sense   revealed. I know the top end of
                               mode, mostly Filter 1 and with   of intense insight. It was breath-  this track is a bit raspy and here
                               volume set at light blue where full   taking – and not just because of the   Hugo TT2 made the fact obvious. In
                               dynamic range is available.  qualities mentioned but because of a   effect it revealed limitations in the
                                  Digital was delivered from an   sense of great dynamic contrast too.   transcription or original recording.
                               Oppo BDP-205D Universal player   An astonishing level of revelation was      Comparisons got interesting with
                               acting as a CD transport, coupled   obvious from this track alone, as well   Diana Krall singing 'Narrow Daylight'
                               optically to the Hugo with the cable   as ability to lay out the acoustic being   on hi-res PCM (24/96) and DSD64.
                               supplied that was a tighter fit into the   picked up by Lofgren’s mic.   To my surprise there was not much
                               TOSLINK socket than our cables. A      Another almost-peculiar   difference. Both were relentlessly
                               MacBook Pro running Audirvana Plus   property made itself very clear with   sharp in timing, clean and clear, DSD
                 52        HI-FI WORLD JANUARY 2020   www.hi-fiworld.co.uk
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