Page 55 - (DK Eyewitness) Travel Guide - Japan
P. 55

Take a Leaf Out of
                Their Book
        The Genda Shigyo company
       has been handcrafting paper
        since 771 and in Kyoto since
       794. Pop into the ancient store
          to admire the mizuhiki –
        twisted paper ribbons. Give
       the tradition a go: head to Ozu
       Washi in Tokyo (p23) to pour a
         mixture of bark and water
        into a sieve, before sifting to
       form a perfect piece of paper.
          Just like panning for gold.

              A traditional paper
              craftsman working
                  in his studio







                                      Lustrous Lacquerware
                                      Made from the sap of the urushi tree, lacquer
                                      is durable, waterproof, and shiny – the
                                      perfect varnish. Lacquerware is as ornate
                                      as it is resilient. The birthplace of this craft,
                                      Wajima is the perfect place to try your hand
                                      at designing your own (p176). At the Wajima
                                     Kobo Nagaya workshop, you can engrave a set
                                                  of chopsticks and talk
                                                  to experienced artisans
                                 Sumptuous lacquerware   about their work (4-66-1
                                plate inlaid with pearl  Kawai-machi).

                              Seize the Clay
                             In the 16th century,
                            advanced techniques
                           from Korea revolution­
                            ized Japan’s ceramics
                            industry. Kyushu – on
                            the Korea Strait – has
                              since been Japan’s
                            great est ceram ics pro­
                             ducer. Hop between
                           ancient workshops and
                            laden market stalls in
                           the Saga pot tery towns
                           (p280). At Rokuro­za in
                           in Arita, take to the pot­
                             ter’s wheel to mould
                           your own mas ter piece
                             (1-30-1 Izumiyama).

       Hand-wringing freshly   Spinning clay by
       dyed silk at a textile    hand at a Kyushu
       plant’s dye workshop   potter’s workshop

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