Page 100 - (DK Eyewitness) Travel Guide - Italy
P. 100

98  І  NOR THEAST  IT AL Y


                           dramatic of his works are the   gold leaf, vermilion and
                           towering masterpieces that   ultramarine. Over the years
                           decorate the chancel (1562–4).   the palace was extensively
                           On the right wall is the Last   remodelled, and by the
                                Judgment, whose   18th century was in a state
                                turbulent content   of semi-dereliction. In 1846 it
                                caused John Ruskin’s   was bought by the Russian
                                wife, Effie, to flee the   Prince Troubetzkoy for the
                                church in horror. In The   famous ballerina Marie Taglioni.
                                Adoration of the Golden   Under her direction the palace
                                Calf on the left wall, the   suffered barbaric restoration,
                                figure carrying the calf,   losing, among other things, its
                                fourth from the left, is   staircase and much of its
                                believed to be a   original stonework. It was finally
                                portrait of the artist.   rescued by Baron Giorgio
                                Inside the chapel of   Franchetti, a wealthy patron of
                                San Mauro, off the    the arts, who bequeathed both
       Madonna dell’Orto, with 15th-century façade statues    end of the right nave,   the building and his private art
       of St Christopher and the Apostles  stands a statue of the   collection to the State in 1915.
                                Madonna by Giovanni     Pride of place on the first of
       1 Madonna           de’ Santi. It was restored by the   the gallery’s two floors goes to
       dell’Orto           Venice in Peril fund, and inspired   Andrea Mantegna’s St Sebastian
                           the rededication of the church.  (1506), the artist’s last work,
       Campo Madonna dell’Orto. Map 2 F2.      which occupies a special alcove
       Tel 041 719933. 4 Madonna               of its own. Elsewhere, the floor’s
       dell’Orto. Open 10am–5pm Mon–Sat,   2 Ca’ d’Oro   main exhibits are ranged around
       noon–5pm Sun & pub hols.                the portego (gallery). This is
       Closed 1 Jan, 25 Dec. & ^   Calle Ca’ d’Oro. Map 3 A4. Tel 041 520   largely dominated by the vivid
       ∑ madonnadellorto.org  03 45. 4 Ca’ d’Oro. Open 8:15am–
                           2pm Mon, 8:15am–7:15pm Tue–Sun   15th-century Double Portrait
       This lovely Gothic church,   (last adm: 6:45pm). Closed 1 Jan, 1   (c.1493) by the sculptor Tullio
       founded in the mid-14th century,   May, 25 Dec. & 9 = 7 partial.   Lombardo; Sansovino’s lunette
       was dedicated to St Christopher,   ^∑ cadoro.org  of the Madonna and Child
       patron saint of travellers, to          (c.1530); and several bronze
       protect the boatmen who ferried   In 1420 Marino   reliefs by the Paduan
       passengers to the islands in the   Contarini, a    Andrea Briosco, “Il
       northern lagoon. A 15th-century   wealthy patrician,   Riccio” (1470–1532).
       statue of the saint, restored    commissioned the   Rooms leading off
       by the Venice in Peril fund,   building of what    the portego to the
       stands above the main portal.   he hoped would    right contain
       The dedication was changed   be the city’s most   numerous bronzes
       and the church reconstructed    magnificent palace   and medallions,
       in the early 15th century,    (see p85). The   Tullio Lombardo’s   with some examples
       after the discovery, in a nearby   building’s intricate   Double Portrait  by Pisanello and
       vegetable garden (orto), of a   carving was entrus-  Gentile Bellini.
       statue of the Virgin Mary said    ted to a team of Venetian and   Paintings here also include the
       to have miraculous powers.  Lombard craftsmen, while the   famous Madonna of the Beautiful
         The interior, faced almost   façade was adorned with the   Eyes, attributed to Giovanni
       entirely in brick, is large and   most elaborate and expensive   Bellini, a Madonna and Child,
       uncluttered. On the right is a   decorative finishes, including   attributed to Alvise Vivarini (both
       magnificent painting by Cima                  late 15th century),
       da Conegliano, St John the                    and Carpaccio’s
       Baptist and Other Saints (c.1493).            Annunciation and
       The vacant space in the chapel                Death of the Virgin
       opposite belongs to Giovanni                  (both c.1504). A room
       Bellini’s Madonna with Child                  to the left of the
       (c.1478), stolen in 1993 for                  portego contains non-
       the third time.                               Venetian paintings,
         The church’s greatest                       notably a Flagellation
       remaining treasures are the                   by Luca Signorelli
       works of art by Tintoretto, who               (c.1480). A lovely
       was a parishioner of the church.              staircase leads to the
       His tomb lies with that of his                second floor, which
       children, in the chapel to the   The magnificent Gothic façade of the Ca’ d’Oro,    opens with a room
       right of the chancel. The most   or House of Gold  hung with tapestries.
       For hotels and restaurants in this region see pp562–5 and pp580–84


   098-099_EW_Italy.indd   98                                 4/4/17   5:32 PM
     Eyewitness Travel   LAYERS PRINTED:
     Catalogue template    “UK” LAYER
     (Source v1.2)
     Date 12th June 2012
     Size 125mm x 217mm
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