Page 101 - (DK Eyewitness) Travel Guide - Italy
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VENICE  І   99


       It has bronzes by Alessandro   4 Santa Maria dei
       Vittoria and paintings by Titian   Miracoli
       and Van Dyck. The portego
       displays frescoes (c.1532) by   Campo dei Miracoli. Map 3 B5. Tel 041
       Pordenone from the cloister    275 04 62. 4 Rialto, Fondamenta
       of Santo Stefano, while an   Nuove. Open 10:30am–4:30pm Mon–
                           Sat (4pm Mon). Closed 1 Jan, 25 Dec.
       anteroom contains damaged   & ^ ∑ chorusvenezia.org
       frescoes by Titian taken from
       the Fondaco dei Tedeschi.  An exquisite masterpiece of
                           early Renaissance architecture,   Decorative column from inside Santa Maria
                           the Miracoli is the church where   dei Miracoli
                           many Venetians like to get
                           married. Tucked away in a maze   and prophets. The balustrade,
                           of alleys and waterways in   between the nave and the
                           eastern Cannaregio, it is small   chancel, is decorated by Tullio
                           and somewhat elusive.  Lombardo’s carved figures of
                             Santa Maria dei Miracoli is   St Francis, Archangel Gabriel,
                           decorated in various shades    the Virgin and St Clare.
                           of marble, with some fine bas-    The screen around the
                           reliefs and sculpture. It was    high altar and the medallions
                           built in 1481–9 by the    of the Evangelists in the
                           architect Pietro Lombardo and   cupola spandrels are also
                           his sons to enshrine The Virgin   Lombardo’s work. Above the
                           and Child (1408), a painting   main door, the choir gallery
                           believed to have miraculous   was used by the nuns from the
                           powers. The picture, by Niccolò   neighbouring convent, who
                           di Pietro, can still be seen    entered the church through
                           above the altar.    an overhead gallery. Santa
                             The interior of the church is   Maria dei Miracoli has under-
                           embellished by pink, white and   gone a major restoration
       Giovanni Bellini’s 1513 altarpiece in    grey marble. It is crowned by    programme, which was
       San Giovanni Grisostomo  a barrel-vaulted ceiling (1528),   funded by the American
       3 San Giovanni      which has 50 portraits of saints   Save Venice organization.
       Grisostomo                               Santa Maria dei Miracoli
       Campo San Giovanni Grisostomo.   Carving of   This beautifully proportioned façade is
       Map 3 B5. Tel 041 523 52 93.    saint  composed of decorated panels and
       4 Rialto. Open 8:15am–12:15pm,           multicoloured polished marble.
       3–7pm daily. Closed during Mass. ^
                                                       The semicircular
       This terracotta-coloured                        crowning lunette
       church is located near to                       emphasizes the
       the Rialto. Built between                       church’s jewel-box
       1479 and 1504, it is a                          appearance.
       lovely Renaissance
       design, the last work
       of Mauro Coducci.                               A false loggia is
         The interior is built                         formed of Ionic
       on a Greek-cross plan.                          arches, inset with
       The light meter illumin-                        windows. The marble
       ates Giovanni Bellini’s                         used was reportedly
       St Jerome with Saints                           left over from the
                                                       building of San Marco.
       Christopher and
       Augustine (1513) above                          Virgin and Child by
       the first altar on the right.                   Giorgio Lascaris
       This was most probably
       Bellini’s last painting,
       executed when he                                The marble panels
       was in his eighties.                            are fixed to the bricks
         Over the high altar                           by metal hooks. This
       hangs Sebastiano                                method prevents the
       del Piombo’s St John                            build-up of damp
                                                       and salt water behind
       Chrysostom and Six                              the panels, and dates
       Saints (1509–11).                               from the Renaissance.



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