Page 87 - (DK Eyewitness) Travel Guide - Italy
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INTRODUCING  NOR THEAST  IT AL Y      85



        Where to See                       the Basilica di San Marco and the
        the Architecture                   Palazzo Ducale is a must. There are
                                           numerous examples of Palladio’s
        A vaporetto trip along the Grand   architecture in the Veneto, but the
        Canal in Venice (see pp92–5) is a   star is the Villa Barbaro (see p153).
        splendid way of getting an over-   Several of his villas line the Brenta
        view of Venetian architecture.     Canal (see p164), and the town of
        Ca’ d’Oro, Ca’ Rezzonico and Ca’   Vicenza (see pp154–7) is full of his
        Pesaro may also be visited, as they   buildings, including La Rotonda,
        contain museums, and a visit to    Typical Venetian Gothic window  his famous villa.



      Arcading influenced   Florid tracery    Finials once covered   Deep recesses   Keystones carved    Swags of fruit,
      by the Palazzo Ducale inlaid with azure in gold leaf  creating play of   as helmeted heads  ribbons and flowers
                                   light and shade














       Ca’ d’Oro, the 15th-century “House of Gold”,   The 17th-century Ca’ Pesaro typifies the
       reveals Moorish influence in its roof finials    Venetian Baroque style – Classical columns
       and sinuous pointed arches (see p98).  and rich, but subtle ornamentation (see p93).


                                  Istrian marble, chosen to catch
         Giant                    the changing light of the lagoon
         composite
         columns
                                           Statues and memorials
                                           to patrons of the church
                                     San Giorgio Maggiore, built 1566–1610, is
                                     marvellously sited at the entrance to the Venetian
                                     inner harbour. It broke from the prevailing Gothic
                                     style, introducing the clean simplicity and
                                     harmonious proportions of Classical architecture
                                     to Venice, and more resembles an ancient Roman
                                     temple than a Christian church (see pp124–5).
 Arcades linking the wings
 to the central block      Pediment with coat of arms      Sundials at
                                                           each end















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