Page 131 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 131

CLASSICAL 1750–1820         129

        See also: Stamitz’s Symphony in E-flat major 116–117   ■  The Magic Flute 134–137   ■
        “Eroica” Symphony 138–141   ■  Der Freischütz 149   ■  The Ring Cycle 180–187


        final three symphonies, Nos. 39–41,   minor keys, syncopated rhythms,
        including the Symphony No. 40 in   melodic leaps, and other flourishes,
        G minor, K.550, possibly composed   all of which characterize Mozart’s
        for a projected concert series in    “Little” G minor symphony (No. 25,
        a central Viennese casino. These   K. 183/173dB), completed in 1773.
        works represent the culmination     This moody music often went
        of the symphonic genre during    hand in hand with the virtuoso
        the Classical period—though they   playing associated with the city
        also look ahead to the music of    of Mannheim in Germany, which
        the 19th century, with its emphasis   Mozart visited in both 1763,
        on a broad range of harmonies,   when he was seven years old,       Wolfgang Amadeus
        along with concert programs      and again in 1777–1778, at age 21.   Mozart
        ascribing distinct narratives and   Mannheim’s instrumentalists
        themes to musical pieces.        were famous for creating dynamic   Born in Salzburg, then part
                                         shifts and thrilling crescendoes.   of the Holy Roman Empire,
        Expressive forces                But it was not just the style of the   in 1756, Mozart followed in
        As a young man, Mozart had been   Mannheim symphony that was        the footsteps of his father,
        influenced by the Sturm und Drang   new. Its structure also differed from   Leopold, a musician and
        (“storm and stress”) movement that   its counterparts, consisting of four   composer in the archbishop’s
        emphasized emotion and creative   rather than three movements. The   court. Yet Mozart’s brilliance
        individuality. This style, which    symphony’s previously dancing ❯❯   as a violinist, pianist, and
        took its lead from contemporary                                     composer meant that Salzburg
        literature, is also evident in works                                often seemed stifling, even
        by the pioneering and prolific   Mozart often composed music        provincial, and he tried to
                                         in segments before fleshing them
        “father of the symphony,” Joseph   out as finished manuscripts, such    find employment elsewhere.
                                                                              In 1781, he settled in the
        Haydn. In music, Sturm und Drang   as the one below of his Symphony    city of Vienna, the seat of
        found expression in the use of   No. 40 in G minor.                 Habsburg pomp and power.
                                                                            Working as a freelance
                                                                            composer, he perfected genres
                                                                            such as the symphony, the
                                                                            concerto, and the string
                                                                            quartet, and wrote a handful
                                                                            of highly successful operas.
                                                                            Mozart died of mysterious
                                                                            causes in late 1791, at the age
                                                                            of 35, leaving behind some
                                                                            600 musical works and an
                                                                            extraordinary legacy for the
                                                                            generation that followed.

                                                                            Other key works

                                                                            1773 Symphony No. 25
                                                                            in G minor
                                                                            1779 Krönungsmesse
                                                                            1786 The Marriage of Figaro
                                                                            1790 Cosi fan tutte
                                                                            1791 Requiem (incomplete)







   US_128-131_Mozart_Symphony.indd   129                                                             26/03/18   1:00 PM
   126   127   128   129   130   131   132   133   134   135   136