Page 143 - (DK) The Classical Music Book - Big Ideas Simply Explained
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CLASSICAL 1750–1820         141


                              Expressive grandeur in Beethoven’s “Eroica”


                                           More developed first movement
                                            than any symphony to date,
                                              and longer than many
                Opens with two                 entire symphonies.               A second movement
                powerful chords.                                              that opens with a sombre
                                                                             funeral march in C minor.





                                                  “Eroica” is
                Use of triadic                  revolutionary                  An energetic scherzo in
              (three-note) themes.                                               the third movement.






                    Huge range                                                Harmonic tensions
                     of keys.                                                    and surprises.
                                                 Prominent use
                                                  of brasses to
                                              produce “heroic” end.






        use a theme-and-variation form as   subtly interlinked. He was to
        its closing movement, Beethoven   venture even further in his later
        broke with tradition by failing to   symphonies, and by the time he
        start with the theme itself. Instead,   reached the Ninth, in 1824, what
        the movement begins with a bass   had once been four separate units
        line, from which Beethoven builds   linked only by a common title,
        the orchestral texture until we   had become a musical narrative
        finally reach the theme melody. He   brilliantly interwoven across the
        was turning the form on its head by  old sonata structure.
        effectively writing variations before   Those who witnessed the early
        he had even got to the theme. Also,   performances of the “Eroica” found
        rather than the variations being   it a difficult work to understand—it
        based on a single melody, the whole  was simply too far from their idea
        orchestra is involved in exchanging   of how a symphony should work,
        and developing interweaving lines   both in terms of its length and its
        of material, ending in an elaborate   structure. But it was soon accepted
        fugato that brings the music firmly   as a work of profound genius and
        and finally to the home key.     was to exert a huge influence on   Symphony No. 3 was already known
           Beethoven had created a four-  later generations of symphonists,   as the “Eroica” by the time it was
        movement journey through keys,   from Schumann and Brahms to      published, as this frontispiece of
        themes, and ideas, cleverly and   Bruckner and Mahler. ■          the first edition shows.





   US_138-141_Beethoven_Eroica.indd   141                                                            26/03/18   1:00 PM
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