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ROMANTIC 1810–1920         145




           The premiere of   Johann Strauss II
         Giuseppe Verdi’s      writes The Blue   Johannes Brahms’s          The brutal plot of Giacomo
         La traviata in Venice   Danube, a waltz    First Symphony premieres   Puccini’s opera Tosca
         shocks audiences by   with a rich symphonic   in Karlsruhe, Germany,   typifies verismo (“realism”),
        taking a fallen woman   sound that takes   recalling the Classical    a form of opera popular in
         as its subject matter.  Europe by storm.  style of Beethoven.          Italy and France.






             1853                 1867                1876                            1900


                     1857                             1876                  1896               1908








               Franz Liszt’s Faust              The fourth part of    Inspired by Nietzsche’s   Gustav Mahler
               Symphony, inspired by         Richard Wagner’s Ring   novel, Richard Strauss   writes Das Lied
               Johann Wolfgang von            Cycle opens in Bayreuth,   composes Also sprach   von der Erde, a
                Goethe’s play of the           marking the end of his    Zarathustra, a symphonic   contemplation on
               same name, premieres          “total artwork,” composed   poem that rejects   the inevitability
               in Weimar, Germany.                over 26 years.      Romantic conventions.    of death.


        symphonies, a trend that was     Johann Strauss I and II, father and   matter and aiming for a more
        taken up later by many composers,   son, played on this nostalgia with   convincing form of dramatic
        especially Franz Liszt, who      their waltzes, but other composers   representation. Others followed his
        developed a form known as the    also felt the lack of discipline in   lead: Bizet in France, the giants of
        symphonic poem, or tone poem.    Romantic music. Foremost among   Italian opera, Verdi and Puccini,
           Liszt was also famous as a    them was Johannes Brahms,        who pursued a new kind of realism
        young man for his virtuosity when   who moderated expression within   in opera, and in Germany, Richard
        performing his own piano pieces,   stricter Classical forms. Another   Wagner, whose operas were on the
        and he gained a large and devoted   was Felix Mendelssohn, whose   grandest of scales and stretched
        following. These solo piano recitals   oratorios harked back to the   musical language. With his
        were popular entertainment of the   Baroque period, reviving German   innovatory harmonies, Wagner
        period, especially when given by   and English choral traditions laid   challenged the idea of tonality,
        Romantic characters such as      down by Handel and Bach.         which had been the foundation
        Liszt or Frédéric Chopin, whose                                   of musical form since the end of
        more delicate and lyrical style of   Romantic opera               the Renaissance.
        composition appealed particularly   Opera, with its combination of   Wagner inspired what is now
        to French audiences.             literature and music, was ideally   known as the late Romantic style,
                                         suited to portraying Romantic    exemplified by composers such as
        Exceptions to the rule           themes and ideas. Carl Maria von   Anton Bruckner, Gustav Mahler,
        Despite the popularity of Romantic   Weber established the template    and Richard Strauss. This heralded
        music, some composers missed     for Romantic opera by choosing   the beginning of modern music in
        the elegance of Classicism. In   German folklore rather than      which the old rules of harmony no
        fashionable Vienna, for example,   Classical mythology as his subject   longer applied. ■





   US_144-145_Chapter_Intro_Romantic.indd   145                                                      27/03/18   4:49 PM
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